Sorry things have been a bit quiet lately; real life takes it’s toll, and lease renewals and rental inspections take up a bit of time. That said, let’s jump right into a Tuesday Trio.
Gomez – Chasing Ghosts with Alcohol
While Gomez – in my eyes, at least – will always struggle to live up to their debut release, “Bring It On”, this track, from their 2006 release, “How We Operate”, is unquestionably one of my favourites.
While How We Operate seemed, at times, a fairly episodic album, Chasing Ghosts With Alcohol is by far a standout from the album; all bluesy chords accompanied by a killer slide guitar, and vocals that build to a major crescendo. Melancholic, and perfect for a rainy Tuesday, listen to it and reflect on your life. See what you find.
David Vandervelde – Nothin’ No
This track, “Nothin’ No”, from David Vandervelde’s 2007 debut release, “The Moonstation House Band” proves that the LP was one of the year’s most criminally-underappreciated releases.
A slow burn of a song, there’s something about it that demands you bop your head along with it. The song itself seems a symbol of youth, abandon and hope. And the fact that Vandervelde was only 19 when this track was written and recorded absolutely blows me away. Easily an artist to watch for in 2008.
Listen: David Vandervelde – Nothin’ No
Toothpick – Scars for Entertainment (remix)
I first came across Toothpick with his 2004 debut release, “Time Travelin’ Couch”, and was immediately pulled in by the album’s second track, “Scars for Entertainment”. A melting-pot of different genres, it seems to blend old-school hip-hop, acoustic folk, blues and funk in an extremely exciting way. His talent for carrying a story throughout the entire song was nothing short of impressive as well.
However, even though it’s been a good few years now since the original “Scars for Entertainment” reached my ears, it’s only recently that I learnt about this remix version.
As with any remix of an original song that you love, it doesn’t quite stack up to the original with me; Toothpick’s re-recorded vocals seem less hurt, in some way, here. However… with the addition of some killer harmonica (something I thought was always lacking, in the original), this song certainly deserves a spin, particularly if you haven’t heard Toothpick before.