… for no other reason than it’s quite simply a “Ben Drew” kind of day.
Category: artists to watch for in 2010
So, a while back I was contacted by Sabrina Robertson, who sent me an email saying, “Hey, I think you might dig these guys…”.
First off, I can’t tell you how many emails like these I get. I’m not even one of the “big guys” when it comes to music blogging, so I can only imagine how many emails they get… but this one had some personal touches that showed Sabrina had actually bothered to read more than just my “Want your band featured?” page, so when the CD she sent arrived, I popped it on for a listen.
And, thank god, she was right.
Melbourne band “Goodnight Owl” (aka Eddie Alexander, Joe Walker & Bella Walker) write some really great, classic pop/electronica tunes, in the vein of – say, for one example – Postal Service. And that’s high praise from me indeed, considering my love of Postal Service.
The band’s self-titled debut EP was recorded in November 2008, and is a study in contradictions; as I’ve heard Nick Huggins describe it, it’s “a curious mix of confidence and fragility”, and I couldn’t put it better myself.
The 5-song EP itself, for me at least, hints at great things to come for the band. While the album opens with undoubtedly the strongest track, “Maps & Compasses”, it never quite reaches those heights again, although both “She Kept a Secret” and, especially, “Verandah” are absolutely kickass pop tunes. All in all, I get the feeling the band is still growing and finding itself, and considering this is a debut EP, that’s of course only natural.
I’ve included both “Maps & Compasses” and “Verandah” below, as a taster of the band. “Goodnight Owl” is out now, and is available on iTunes, Polyester Records, Readings, and via Paypal on the band’s Myspace.
Listen. Love. Support.
Listen: Goodnight Owl – Maps & Compasses
Listen: Goodnight Owl – Verandah
So, I’ve held off on posting about this album for a while… when I first heard Mumford and Sons, there was this crazy rush of excitement (“thank god, finally a 2009 sound worth raving about!”) that I thought might colour an album review. So I’ve purposefully sat with this album now for the past week, holding off on posting so that I would have enough time to let it sink in.
And yes, I’m still going to rave about it.
“Sigh No More” is exactly the kind of album that Mumford and Sons needed to make. Although the album contains quite a few songs that have appeared on their past two EPs, the production has afforded them a level of… well, grandiosity that their previous releases kept hidden. Just take a listen to the opening few tracks, particularly “The Cave”, with its awesome horn section, and you’ll know what I’m talking about.
For those who haven’t heard the band before, the sound is predominantly a mixture of bluegrass, country, folk, and freakin’ awesomeness. There’s a term I hesitate to use too much on this blog, and that’s the description “soaring”. But soaring this album is, and you’d be hard pressed not to imagine choirs of voices joining in with most of these refrains at a live performance by the band.
Which is not to say the album is perfect, by any means. It’s clear the band is still coming into its own, and there are one or two missteps… both “Timshel” and “Thistle and Weeds”, for example, fall somewhat short of the rest of the album for me. But, for the most part, you can overlook these missteps purely for the potential and passion that the band show, even if they do somewhat overshoot themselves sometimes. And, putting myself out there, overall I’d call this one of my favourite albums of 2009… top 3 at least.
Below, two tracks of the “Sigh No More” album. The first, “White Blank Page“, is an example of the emotion Marcus Mumford’s voice can convey (and has been featured on this blog before), and the second, “Dust Bowl Dance“, is a banjo-led slow burner that somewhere along the way – although you might not notice it until it is too late – morphs into all-out destruction. Sheer beauty.
Listen. Love. Support.
Listen: Mumford and Sons – White Blank Page
Listen: Mumford and Sons – Dust Bowl Dance
So, if you’re a fan of my Facebook page (and if you aren’t, what are you waiting for? Go on, visit the link and fan the page. I’ll wait. No rush. Back? Good. Ahem… where was I?)… oh yes, so if you’re a fan of my Facebook page, you would have already heard me sing this band’s praises. “This band”, of course, being “The Middle East”. Here’s the video I shared on Facebook, should you have missed it…
Despite the name, The Middle East are actually a band from Townsville, in Queensland, and have been producing some fairly large waves in the local Aussie music scene. These waves seem to have been made in spite of – or perhaps, because of – a certain air of mystery that surrounds the group. There’s not much information available about the band (no official site, apart from a myspace page, and no interviews that I could find), past the obvious: they produce that ethereal, haunting sort of folk that I absolutely love.
Below, the band’s first track off their new EP, “The Recordings of the Middle East”, which came out here in Australia earlier this year, but is scheduled for an international release date later this month.
Listen. Love. Support.
Listen: The Middle East – The Darkest Side
The Middle East are going to be playing an all-ages gig in Brisbane this Thursday, the 8th October. Who’s in?
I don’t quite know how I’ve let this go until now without a post. Mumford and Sons was a band I’d heard mentioned in quite a few places online, but for some reason I’d never bothered to track down much of their stuff. That was, at least, until Song, By Toad (easily one of my favourite music blogs) featured a fantastic video of the group performing their killer track, “White Blank Page”. The video is, quite frankly, sublime, and I’ll simply point you towards the Toad site to watch it there.
After that, I did a bit more digging myself, and found that the band has recently released the official video for their debut single, “Little Lion Man”… and I’ve fallen in love with it.
Both tracks appear on Mumford and Sons upcoming debut album, “Sigh No More”, which I believe drops tomorrow, coincidentally enough. I know what my next purchase will be…
Below, a “live on BBC1” version of them performing “White Blank Page”.
Can you lie next to her and give her your heart, your heart?
As well as your body, and can you lie next to her and confess your love, your love?
As well as your folly and can you kneel before the king and say ‘I’m clean’, ‘I’m clean’?
– Mumford and Sons, “White Blank Page”
Listen. Love. Support.
The music blogging gig is a weird thing… you can go months without hearing anything that inspires you, and then all of a sudden a whole host of tunes reach out and smack you across the face in a course of a week.
This has been one of those weeks.
Today, following a link posted in Jason Mraz’s twitter account (not actually run by Jason, but you know what I mean), I headed across to listen to some of Ben Howard‘s tunes… and immediately spent 20 minutes clicking “play”, again and again.
Ben hails from Devon, in the United Kingdom, and considering his style of playing and musical influences (John Martyn, Jeff Buckley, Joni Mitchell, Ray Lamontagne, Damien Rice, Jose Gonsalez, Bon Iver), I was surprised I hadn’t stumbled across his stuff before… as really, that sounds like a typical afternoon on my iPod.
Ben has that percussive style of guitar playing that’s seen in some of my favourite guitarists mentioned on here before, such as Andy McKee, Guy Buttery, Xavier Rudd and Kaki King. After a bit of surfing, I came across a video – which I’ve embedded below – of Ben playing a live set featuring the song, “Empty Corridors”, that is simply amazing…
Quite frankly, I’m putting Ben Howard on my “Surely Going To Make It” list. And that brings me to the real reason for this post: I’m sending you towards his myspace page to listen to the opening track there, entitled “The Wolves”. If “The Wolves” isn’t enough to convince you of this kid’s future, then I’m not sure what will. From that opening “Ooooh”, it’s sheer perfection.
Listen. Love. Support.