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2008 releases artists artists to watch for in 2009 digital downloads guitar music music videos

Stop the presses. aKING is South Africa’s next big thing.

… And yes, I know exactly what a huge statement that is to make. But I’m making it anyway. Only a band that excited me this much could have brought me out of my semi-hiding on this blog. I heard them, and I simply had to get out a post straight away.
God, I’ve missed that feeling.

 

aKING
South African Band aKING

 

 So, here’s the deal, in a nutshell. I noticed that an old buddy of mine, Dave Macmillan, was proclaiming his love for a band that I hadn’t even heard about, called aKING. Now, those who have read this blog for quite a while might remember Dave Mac’s name; that’s because I mentioned him in my list of “30 South African Bands you NEED to hear!” post, back last year. So, when someone like Dave is impressed by a South African band, you might say that I pay attention. And I’m stoked that I did.

Turns out that I did actually know aKING somewhat; two of their members are from a South African band that I had some major respect for back when I was living there, called Fokofpolisiekar. Fokofpolisiekar were, always, uncompromising musicians… as could be discerned from their choice in band name. Fokofpolisiekar“, in Afrikaans, literally translates to “Fuckoffpolicecar. So it’s really no surprise that Hunter Kennedy and Jaco Venter, both Fokofpolisiekar members, have another band that shares this uncompromising position on music. Having joined with friends Laudo Liebenberg and Hennie van Halen, the creative culmination that is aKING is, quite simply, inspiring.
The music is a fusion of alt.country and classic rock, riddled with wry (in fact, often downright cycnical) observations, that somehow still remains positive.

Earlier this year, the band released their debut album “Dutch Courage”, and it’s some of the most exciting stuff I’ve heard out of South Africa in ages. My love for South African music is, of course, no secret… but apart from a select few bands, in the last year, I’ve become increasingly worried about the musical output that I’ve heard from SA. And that’s not to say that it’s bad, by any means… but there’s this homogenisation that seems to be spreading through the bands starting out there, and that worried me. aKING might just be the band to change all that. Their music’s certainly marketable, and there’s no pretension about that; these guys are out to be heard, and they know what they have to do to achieve that. Even the tune “Guilty as Sin”, one of their most mainstream songs (and yes, it is mainstream), has a bridge that simply comes out of nowhere. Seriously… wait until that 2:00 minute mark. You’ll see what I mean.


But it’s singles such as “Safe As Houses”, that are shining lights, proof that they have no fear to step outside what is comfortably heard in SA. Watch the music video below…

I’m seriously hoping for great things from these guys… they deserve it.


Listen. Love. Support.

Listen: aKING – Safe as Houses
Listen: aKING – Shine Your Light
Listen: aKING – Guilty as Sin


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artists concerts digital downloads guitar live songs music music videos

Death Cab for Cutie, live at the Tivoli in Brisbane


Unfortunately, and in keeping with the general lack of time around these parts lately, this post might need to be a bit short. But on Friday night, I saw one of my top 5 shows that I’ve ever seen at the Tivoli… Death Cab for Cutie. And what a set it was.

An Horse
An Horse kicked off the night…

The night was started off by Brisbane band, An Horse, who I’m surprised that I hadn’t heard before. Suffice to say, this duo (Kate Cooper and Damon Cox) opened up the night in cracking form, and the crowd was very receptive to them. Although their music often comes across as a sheer wall of sound, after a while the intricacies of their tunes begins to dawn on you. And, just a personal observation here, but Damon was possibly one of the tightest drummers I’ve ever seen perform at The Tivoli. No shit.
Anyway, the main takeaway from these guys show? If you get a chance to see them play live, grab it with both hands. It was impressive to say the least.
I’ve included one of their tunes below, as a taster… their cracking tune, “Warm Hands“, which drew some major applause from the audience. You can tell from this track why these guys have opened for such bands as Tegan and Sara, and… of course… Death Cab.

Listen: An Horse – Warm Hands

Death Cab for Cutie at the Tivoli in Brisbane
Death Cab came onto the stage to thunderous applause…

When Death Cab for Cutie came on the stage, at around 9.30pm, the atmosphere was electric. The Tiv was pumping, and, on a side note, was containing easily the most amount of “OC fanbois and girls” that I’ve ever seen in one single point. The place was a literal sea of Seths and Summers.
Finally, the lights dimmed, and Gibbard et al entered the stage… and launched into, what else… but Bixby Canyon Bridge. From the first note, you could tell that the show was going to be special. Chris Walla was simply incendiary from the get-go, and Ben was bubbling with energy.
Thanks to Gary taking along his new camera, we actually have quite a bit of footage from the night, and I’ve included the “Bixby Canyon Bridge” performance below.


Death Cab for Cutie opening the night at the Tivoli, with “Bixby Canyon Bridge”

Despite some early teething problems with the sound levels (as can be seen at times in the above video), Death Cab were the ever-consummate professionals, giving everything in their performance… and soon the problems were sorted out.

Death Cab for Cutie at the Tivoli in Brisbane
Death Cab wowing the crowd at the Tiv…

I was pleasantly surprised by the fact that – although this tour was ostensibly in support of their “Narrow Stairs” release – the set list that night consisted of songs from a number of their past releases, and wasn’t too heavily focused on their latest album. I have to admit, I blissed out a bit at one point (as I am wont to do at gigs), so instead of a breakdown of each song’s performance, here’s the band’s set-list from the night (with the track’s album included in parenthesis):

Death Cab for Cutie, live at the Tivoli in Brisbane, 22 August 2008 Setlist

1. Bixby Canyon Bridge (Narrow Stairs)
2. The New Year (Transatlanticism)
3. Why You’d Want to Live Here (The Photo Album)
4. Crooked Teeth (Plans)
5. Long Division (Narrow Stairs)
6. Grapevine Fires (Narrow Stairs)
7. A Movie Script Ending (The Photo Album)
8. Company Calls (We Have the Facts and We’re Voting Yes)
9. Title Track (We Have the Facts and We’re Voting Yes)
10. Soul Meets Body (Plans)
11. I Will Follow You Into the Dark (Plans)
12. I Will Possess Your Heart (Narrow Stairs)
13. Cath… (Narrow Stairs)
14. No Sunlight (Narrow Stairs)
15. Sound Of Settling (Transatlanticism)
16. Marching Bands of Manhattan (Plans)

Encore

17. Your Bruise (Something About Airplanes)
18. Title and Registration (Transatlanticism)
19. 405 (We Have the Facts and We’re Voting Yes version)
20. Your Heart is an Empty Room (Plans)
21. Transatlanticism (Transatlanticism)

Highlights of the night, for me? Well, apart from the cop-out answer of “Everything!”, I’d have to say that I went into the night hoping to hear 3 songs; “Cath…“, “I Will Follow You Into The Dark“, and “405“… and each of those songs were simply amazing. Particularly the tender “I Will Follow You Into The Dark”, which was dedicated to opening band “An Horse”, and had the entire crowd singing along with each and every syllable.


Death Cab for Cutie performing “I Will Follow You Into The Dark” live at the Tivoli.

Following that? The closing number of “Transatlanticism”. To be honest, it’s never been one of my favourite tunes, but the performance that night was simply electric. The energy and passion of the band was, quite simply, astounding. When Ben started plaintively crying “I need you so much closer!“, there truly was a feeling that something special was happening there that night… and we were carried away in a wave of emotion, riding Death Cab’s anger, pain, love and passion all in one movement. It’s a song that I’ll remember for a while, of that I have no doubt. Here it is, below.


Death Cab closing the night at the Tiv with a killer performance of “Transatlanticism”

Anyway… sorry there isn’t more detail in this post, but the problem with seeing a show on Friday, and then not posting until Monday due to being away from the computer is that you forget the small details. All that is left is that overwhelming, all-consuming feeling that you witnessed something special that night, and that – no matter how hard you try – you won’t be able to communicate just how it felt to someone else, unless they’d been there.

Yeah. That pretty much sums it up quite nicely, actually.

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2008 releases artists digital downloads guitar music videos

Drips and Drabs…

Here’s me, not one post earlier, saying that things were going to be quite around here for the next week or two. Yet here I am, putting up a second post today! Truth is, I’ve had an unexpected opening in my schedule, and with a spare hour before my next meeting now, I thought I might as well quickly give a round-up of odds and ends… in case they slip my mind in the coming weeks. So, here you go:

Elvis Perkins in Dearland – Weeping Pilgrim

Elvis PerkinsI only recently was exposed to this song, “Weeping Pilgrim” from Elvis Perkins, which will appear on the forthcoming “Help Me To Sing” compilation album.
What do you need to know about it? Not much… save for the fact that it’s a cracking tune of longing and struggle, that is everything music should be. Seriously. There’s an indomnitable spirit to this song that simply cannot be beaten down. Listen to this and love it.

Listen: Elvis Perkins in Dearland – Weeping Pilgrims

Speaking of Elvis Perkins, I only recently stumbled across a Black Cab Session that featured him, so here it is…

 

 

 

Nate from “The Format” Returns With A New Tune

FunOne of the most popular posts on this blog – not in terms of comments, because… well… there are none – but in terms of pageviews, is my past post about The Format breaking up. ‘Twas a sad day indeed when the talented duo called it quits… but it seems Nate Reuss couldn’t stay away too long, and has popped up again on my radar in a new outfit, simply entitled “fun. In their inaugeral Myspace post, Nate wrote:

The day after The Format had broken up, I already knew that I couldn’t just call it quits. I wasn’t ready to give up music. I had a handful of songs that I was convinced were the best songs I’d written and I don’t think that I would have been able to live with myself if I had just left them to evaporate somewhere in the back of my mind. I don’t even think I had told my mother of the band’s demise before I made the two phone calls that set the amazing events of the past few months in motion.

And with that, he was back. The band currently have a demo up on their Myspace page, called “Benson Hedges” and it’s… well, it’s pretty cool. It’s great to hear Nate’s distinctive voice again, and – most importantly – it sounds like he’s really having fun again.


Listen: fun – Benson Hedges (demo)

 

Preview of Okkervil River’s new “The Stand Ins” release

Okkervil RiverYou know, I freaking love Jagjaguwar. Any time a label understands the new world that is internet music and engages music bloggers, it gives me the warm fuzzies all over. Jagjaguwar are offering up “Lost Coastlines” – a track from Okkervil River‘s forthcoming “The Stand Ins” album – for free download, which I’ve linked to below.
I have to say, the album was actually leaked a while ago, prior to mastering, and I heard a few tunes from it… and it’s absolutely kicks ass. It’s exactly what we need from Okkervil River, and this track demonstrates why.

Listen. Love. Support.

Listen: Okkervil River – Lost Coastlines

 

 

More random links

— Related to the Okkervil River tune above, Dave over at Rawkblog posted possibly one of the best music posts I’ve read all year revolving around Okkervil River’s new release. It’s sheer honesty, and it validates why I’ve had him in my reader for a while. Read it here.

— One of the most prolific music bloggers I know, Matt over at Addictedtovinyl.com has finally hopped onto the twitter bandwagon. If you’re into that sort of thing, you can follow him here. (Speaking of which, you can also follow me here… if you’re interested).

****

Ok, seriously, that will be it for a while now. You all play nice now… and, until next time… Be lucky.

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2008 releases artists to watch for in 2008 digital downloads guitar music music videos

Miles Benjamin Anthony Robinson – Buriedfed

This is just a quick post today; but I really wanted to post Miles Benjamin Anthony Robinson‘s (henceforth known as MBAR on this blog, as that name is simply far too long to continually type out) new video for “Buriedfed”, the opening single on his self-titled debut which came out last month.

It’s simply an awesome video; a somewhat creepy campfire sing-along, that takes a surreal look at funerals and death. And the actual song itself – a swirling, majestic mix of sparseness and atmospherics – is made all the sweeter in the video by Robinson’s somewhat disarming smile, which lasts the entire song through; all the while talking about burials and failures. It really is… affecting.

Below, the video. Below that, the mp3.

Listen. Love. Support.

And they took her to the doctor
To fix her heart, and heal her head
She said, “Goddamn, I’m tired of being polite
Go save somebody else”
– Miles Benjamin Anthony Robinson, “Buriedfed”

Listen: Miles Benjamin Anthony Robinson – Buriedfed

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2007 Releases artists guitar live songs music music videos

Bon Iver on La Blogotheque – Flume

Aaaah… La Blogotheque, you’ve done it again. If you’ve read my blog for any period of time, you might have noticed my love for the Takeaway Shows that La Blogotheque puts out.

This is no exception.

Bon Iver, now more than Justin Vernon… a full band. And Vincent Moon has filmed them… beautifully. I don’t think there’s any need for more words here.

Just enjoy.

#93.2 – BON IVER – Flume
Uploaded by lablogotheque

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artists guitar live songs music music videos

Later with Jools Holland does it again… The Raconteurs & Bon Iver

Later… with Jools Holland” constantly impresses, and most who have read this blog for any period of time would know my love for the show.

Their most recent show was no surprise. Not only were we treated to The Raconteurs performing “Salute Your Solution” and “Consoler of the Lonely” on the show itself, but in addition, the band performed a wonderful acoustic version of “Many Shades of Black”. While Jack White looks at times like he was slightly out of it, Brendan Benson gives it his all…

And then, if that wasn’t enough, The Racounteurs loan Burgoblog-favourite and fellow “Later…” guest, Bon Iver a guitar, to perform a haunting version of “Flume”

Check out more videos at the BBC site.

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Side note: I just wanted to drop out a quick line to the guys at iPodjuice.com, for helping me out with my iPod problems that I mentioned here. After hearing of my woes, they were great and really helpful, so if you’re looking for a replacement ipod battery, I can honestly recommend heading their way.

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artists covers digital downloads guitar Live Music Friday live songs music music videos

Live Music Friday – Howie Day live at The House of Blues. (Or, I’m in mourning. I missed the Howie Day gig.)

I’m in serious mourning here. Somehow, the fact that Howie Day was in Brisbane – or even Australia, for that matter – opening for Whitley completely flew under my radar, and I only found out after it was too late. To put this into perspective, Howie Day is one of my ultimate “hope and pray to see live” musos… and to this date I haven’t managed to accomplish that feat.

My pain is only intensified by the fact that some work colleagues went to see Whitley, and then – get this – DID NOT EVEN BOTHER TO GO WATCH THE OPENING ACTS. Sigh. Can you say, “Philistines”? I can.

Howie Day Live
Howie Day performing live. Sigh… for now I’ll need to content myself with a Live Music Friday.
Pic: Javier Izquerdo

Anyway… I found it highly coincidental that I only found this out yesterday, while I was putting together a Live Music Friday post. And considering that Howie’s known for his live performances, I found it only fitting that I commiserate my misery by posting a Howie show.

Live Music Friday - Howie Day

I have many live Howie Day shows. In fact, I can unequivocally say that Howie Day is the reason I got into tracking down rare live shows. Anyone who has seen the 30-minute DVD that was attached to his “Madrigals EP” release can attest to what a force he is live. Looping guitar lines and vocals through his trusty POD6, performing percussion on the body of his guitar and laying down some fat bass lines, Howie Day manages to string all the elements together in loops and build up to a full sound – all while performing solo – that far eclipses even that of a full band.

It’s something that has to be seen to be believed, so I highly recommend that you get the Madrigals (Bonus DVD) set. It truly is the quintessential Howie. Here’s actually a taster, that I see someone has uploaded to Youtube. Best watch this fast, as I doubt they had permission to upload this from that DVD.

fD4iNx6HA7U[/youtbe]
Howie Day performing “Bunnies” live.

In the last few years, Howie’s moved away from this solo looping and more towards performing with a full band. While it’s an understandable development, I know that many fans hope that one day he returns to his roots full-time.

This performance is from 2001, at a Howie/John Mayer performance at the House of Blues. At times Howie sounds like a younger Mitch Hedberg; considering this was before his trip to rehab, however, this isn’t too surprising. The sound quality on this recording isn’t great; the lows bottom out, and it needs more treble. In addition to that, it includes perhaps the clumsiest outro on “Ghost” to “Beams of Light” that I’ve ever heard Howie perform.

So after all this derision, why am I posting this show, of the many that I have of Howie?

Because it finds Howie at his most passionate. It finds Howie at his most personal. It finds Howie at his most cathartic. Listen to “She Says”, and you’ll know what I mean. But the main reason?

Because it has that song. That moment. The moment when Howie and John get up on stage together. Fans will know which one I’m talking about.
Howie Day and John Mayer performing a killer version of “Sorry, So Sorry”. And while that track seemed to make it’s way around the internet a few years ago, the show in it’s entirety is a bit of a rarity. So I post it here for the true fans, who want to add it to their collection.

I’ve also posted a remastered version of “Sorry, So Sorry” as a separate download, for those who need better sound quality (albeit only slightly).

Oh. And if Howie, or his publicists come across this post, please know that I’m sorry for missing the gig. Now come back to Brisbane soon, ok? I’d pretty much resigned myself to never seeing him play live when I lived in South Africa, and now that I’m in a country that he actually visited and simply didn’t know about the gig… well, it’s killing me. So come back. Seriously.

Listen. Love. Support.

Howie Day, Live at the House of Blues, 22/6/2001

1.) After You
2.) Morning After
3.) Ghost
4.) Buzzing (Africa)
5.) Madrigals
6.) Sorry, So Sorry (with John Mayer)
7.) She Says (One)

Extra:Sorry, So Sorry (with John Mayer) (remastered version)

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2008 releases artists artists to watch for in 2008 digital downloads guitar music music videos

Langhorne Slim – In The Midnight, Restless & Diamonds and Gold

Langhorne Slim is an artist who has me excited; the quintessential “everyman” performer, he is a singer who seems to truly embrace his flaws… and then run with them.

Langhorne Slim
Langhorne Slim (photo credit: Crackerfarm)

The 27-year-old Slim, aka Sean Scolnick, is a proponent of that frenetic folk-rock of which I’m such a fan; but he manages to do it with an authenticity that sets him apart from the crowd. The sound in his records is… well, raw, in the best sense of the word, and sometimes so crazed that the imperfections in his voice come cracking through… but you love him all the more for it.


Really,
Langhorne Slim mixes folk, blues, and rock in a way that few others can. And while his sophomore self-titled disc – which came out last week – isn’t as raw as his past release, “When the Sun’s Gone Down”, and his “Engine” EP, there’s still enough soul, fire, and warmth in his recordings to pull you in; particularly in the cracked-voice chorus of “Diamonds and Gold”.

“A tough day at the office,
And a worse night at home
Don’t wanna talk about it
Just wanna be left alone”

– Langhorne Slim, “Diamonds and Gold”


Langhorne Slim has also released the gorgeous video to his first single from the album, “Rebel Side of Heaven”, which contains perhaps one of my favourite refrains ever, with the words:

“Although we’ve sinned all our lives, we’re not going to hell.
We’re going to the rebel side of heaven.”

– Langhorne Slim, “The Rebel Side of Heaven”


The video itself is one of the most beautifully-shot music videos I’ve ever seen, with rich vibrant colours and stark shadows.
I’ve included it below for you visual pleasure.

Ultimately, I suppose what truly draws me in to Langhorne’s music is his unbridled passion. I hope it does the same for you.

I really couldn’t decide on which tracks to include below, so I thought I would include one from each of his last three releases. The first is the stunning track, “In the Midnight“, from the aforementioned release, “When The Sun’s Gone Down“, which displays his bluegrass influences and contains an awesome banjo accompaniment. The second is his track, “Restless“, which originally appeared on his “Engine” EP, but has gained a new life as a re-release on the new self-titled release; and finally, “Diamonds and Gold“, from that self-titled release.

Listen. Love. Support.

Listen: Langhorne Slim – In The Midnight
Listen: Langhorne Slim – Restless
Listen: Langhorne Slim – Diamonds and Gold