Categories
artists guitar live songs music music videos

Ryan Adams, Holiday Home Jams


So over the last four days, Ryan Adams has been busy on Youtube (see the Cards’ ‘Tube profile here), uploading “home jams” of some of his past songs. Given that he uploaded yet another one, “Cobwebs”, only 8 hours ago, I started thinking… well, how many more of these does he plan to do? So, I thought it might be interesting to put all the new videos in one post, and update it as more become available. So here, for your viewing pleasure, are the videos that Ryan has uploaded to his “Holiday Home Jams” playlist thus far. I’ll update the post as more become available, or you can just follow his playlist here.

As of Tuesday, 9 December, 2008:

Halloweenhead
Released: 4 Days Ago

Evergreen
Released: 3 Days Ago

Rosebud
Released: 2 Days Ago

Born Into A Light
Released: 1 Day Ago

Cobwebs
Released: 8 hours Ago

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Updated December 11


A Natural Ghost
Released:
1 Day Ago

****

Updated December 15

Two
Released:
4 Days Ago


Categories
artists guitar live songs music music videos

Kelly Jones, “Maybe Tomorrow” from BBC’s “Later… with Jools Holland”

Included here for no other reason than:

  • It’s Kelly Jones… I mean, c’mon.
  • “Maybe Tomorrow” was always one of my favourite Stereophonics songs.

And, perhaps most importantly…

  • It’s been one of those days, and I’m hoping that… well, maybe tomorrow, you know?

Anyway, watch it below. Taken from the BBC’s “Later… with Jools Holland” show.


You can see more posts where I’ve talked about the “Later…” shows here.

Categories
2008 releases A Look Back at Burgo's Blog Thus Far... artists guitar music

Burgo’s “Best of 2008” list. Yes, I have one too.

Late December Update:
Unfortunately, after months of fighting with the RIAA amongst others, Mixwit, the site that I used to embed the below playlist, has had to close down. This means that the below playlist is no longer operating, but you can still read about the bands and follow the links to their individual posts below that. Sorry about that, but hopefully Mixwit will be back up and running someday. When I have a chance, I’ll look into using another program to embed the playlist again…

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Yes, it’s that time of the year… the dreaded “lists month”. And, even though I’m sure you’ve had roughly a gajillion of them to read through, here at Burgo’s Blog I’ll be adding to the clutter with one of my own.

A few asides, first:

  • As I’ve said before, any time I put together a list post: Any list like this is subjective, where personal choice rules as king with an iron fist. I don’t dare presume to have heard every album put out this year, and obviously there will be some choices/omissions here that you don’t agree with. For that reason, I’ve restricted this list to songs that I’ve actually featured on this blog in the last year… it’s a retrospective look at songs posted on Burgo’s Blog over 2008 (with one or two additions that I just haven’t got around to posting in December)
  • Heading this argument off before it gets started: despite Jagjaguwar rereleasing Bon Iver‘s “For Emma, Forever Ago…” this year, it’s actually a 2007 release, and as such doesn’t feature on this list. Don’t complain.
  • I’ve tried to be ruthless and keep this selection down to songs/artists that I featured on the blog in 2008, that were released in 2008. This means that some of my favourite songs from 2008 posts, such as BARR’s “Untitled” don’t feature below, simply because I was too late in picking it up. That said, one or two might have slipped through. But only one or two.

Anyway, enough justification… I’ve embedded the playlist below. Click on the tape to begin playing. Below the tape, I’ve listed the tracks, with a word or two about each. I’ve linked through the artists names to the relevant posts, where applicable.

Listen. Love. Support.


MixwitMixwit make a mixtapeMixwit mixtapes

1. Alex Dezen and Angela Dezen – Like it Is
It’s no secret: Alex Dezen and The Damnwells are probably my favourite band of the last two years, so an inclusion from them was a no-brainer. In the end though, I ended up plumping for this track… a youtube release, featuring Alex and his wife Angela performing a song with, quite frankly, heart-breaking beauty. I’ve lost count of the times I’ve replayed this video (which I’ve also included below)

2. Death Cab For Cutie – Cath…
2008 saw Death Cab For Cutie release “Narrow Stairs”, which I discussed in more depth here. This song, “Cath…” is one of my favourite off the album, and one which I was lucky enough to see live.

3. Flobots – We Are Winning
The Flobots release, “Fight With Tools”, was one of those albums that seemed to stick with me throughout the year. Even though they excited me when I first heard them, I have to admit, I didn’t expect this album to have the staying power it did for me. This track, “We Are Winning” captures that excitement.

4. Frightened Rabbit – Heads Roll Off
Unquestionably one of my favourite albums of the year, Frightened Rabbit’s “The Midnight Organ Fight” spawned many killer tracks. This is just one of them.

5. The Gaslight Anthem – Great Expectations
Undeniably fun, The Gaslight Anthem kicked ass in 2008. The ’59 Sound was one of those albums that you could pop on and instantly get jiving. This track was the opening track from that album; one of my most played of the year.

6. Joe Pug – Hymn #101
It’s no secret… if there’s one artist that I wanted to help crack it in 2008, that artist was Joe Pug. The guy simply deserves to be heard. His “Nation of Heat” EP was my top EP of the year, and this track, Hymn #101 one of my favourite tunes. A bit of Dylan, a bit of Prine, and a dash of Whitmore = a whole lot of awesome.

7. The Sand Band – The Secret Chord
As I said back in my original post, “A wistful, world-weary tone permeates David McDonnell’s lyrics in this EP, which is washed over by spacey echoes, pedal steel guitar and an acceptance that comes to us all.” If that wasn’t clear enough… listen to this track.

8. Motel Motel – Coffee
Heh. Looking back at my past post about these guys, I described their tune, “Mexico” as
… dirt-covered folk at its best. It’s a shot of Jack Daniels and well worn denim.“. I like that, looking back.
This song, Coffee, highlights their effortless bar-room swagger; surprising to hear from a band that only formed in 2006.

9. Joseph Arthur – Temporary People
The song that restored my faith in Joseph Arthur. Thank god it came along.

10. Matt Bauer – Don’t Let Me Out
An ominous, weary beauty that unfolds its dark shadows into your soul, this track from Bauer’s release, “The Island Moved in the Storm“, deals with an unsolved murder. “I killed you and thought that was that…” starts off Bauer, and then leads you on a tale loosely based on his childhood area. Chilling.

11. Let It Be Me – Ray Lamontagne
From the moment that you hear that breath at the beginning of the song, you know that “Let It Be Me” is going to be something special from the always impressive Ray Lamontagne.
And it is. Smoke-filled, seductive, and soulful… it’s Ray.

12. Yeasayer – 2080
I have to admit, it was really seeing this “Yeasayer Takeaway Show” that finally sold me on Yeasayer.This song largely makes it into this list based on that live performance.

13. Langhorne Slim – Restless
Langhorne Slim’s sophomore self-titled disc came out at a time when I was feeling really.. .well down, about the music output of 2008. Thank god it did, as the entire album was filled with such raw, unbridled passion that it kicked my ass into gear again. This song was a large part of that.

14. Margot & The Nuclear So and Sos – Childrens’ Crusade on Acid (live)
This is a live performance of a track from Margot & The Nuclear So and Sos “Animal” album… and it’s a stonker.

15. The New York Fund – Going To New York
Although most of the New York Fund’s songs throw dirty, vintage-soaked guitars and bar-room swagger at you (and, don’t get me wrong, they do that oh-so-well), this track has the London town band sounding reminiscent of The Damnwells. Wistful, and with one of the catchiest choruses this side of… well, this side of anything, those handclaps tipped this one onto the list for me.

16. The Old Romantic Killer Band – Lovers Pass
Catchy, and hooky as all hell, this song, “Lovers Pass“ finds The Old Romantic Killer Band at their dirty blues/folk/punk best.

17. Destroyer – Foam Hands
Dan Bejar, aka Destroyer, puts out one of his more accessible tracks… and knocks it out of the park.

18. The Republic Tigers – Buildings and Mountains
This track, “Buildings and Mountains” is taken from the Republic Tigers’ debut album, “Keep Colour”. It still completely blows my mind that such an accomplished sound could come from a band’s debut album. One of my top singles of the year.

19. Tin Bangs – Your Sky Is Falling
When I first wrote about Tin Bangs and their track, “Your Sky Is Falling”, I wrote the following:

“There’s something about this track, “Your Sky Is Falling“. The sense of urgency that Tin Bangs convey is certainly undeniable. In fact, I’ve heard it described as a sense of “god damn urgency”. That said, there’s something else hiding behind that urgency, to me. It’s not only urgent; it’s a sense of desperation. A sense of clutching at straws. A sense that this is our last chance. And the ultimate question… what have we done with it?

Phil from the band was nice enough to stop by with a comment that confirmed this for me:
You nailed it – feeling chased, trapped, desperate, frantic… foreboding, and ultimately floating by belly up for all to see, bloated and cold from the long soak.
Damned if that isn’t powerful.

20. David Vandervelde – Nothin’ No
I think this might be one of the ones that slipped through the “2008” criteria here, as I suspect this track actually came out in 2007… but it’s a damn rollicking tune, so I’m including it anyway. My top played track of January 2008.

21. War on Drugs – Arms Like Boulders
Just scraping in to the 2008 category, Secretly Canadian released the “War On Drugs” EP “Barrel of Batteries” in January of 2008. This track from the EP, “Arms Like Boulders” sold me on the band. There’s a raw abandon to their tunes, and that makes me love them all the more.

22. Someone Still Loves You Boris Yeltsin – Modern Mystery
Finely crafted vocal harmonies, and tunes that seem somewhat reminiscent of a lighter Rogue Wave = great times…This tune from that album [Pershing], “Modern Mystery“, has them at their jangly-guitar best.

23. Mystery Jets – Flakes
You know, Mystery Jets are in Australia at the moment (I think), but they left Brisbane off their list of stops. Next time, come to Brisbane, ‘eh lads? This track, “Flakes”, is the track that initially interested me in the band.
As I said back then, “The below song, “Flakes“, is a great introduction to them for those who haven’t heard them before. There’s something about lead singer Blaine Harrison’s vocals here… they seem to recall early shades of Mark Mulcahy (and come on; when isn’t that a great thing? Miracle Legion and Polaris… we miss you!). And then when that choral chorus of “oohs” kicks in? Man… killer.

24. The Heavenly States – The Race
One of those tunes that just gets into your head, “The Race” from The Heavenly States really excited me. The hummable, angst-laden, and extremely catchy hooks of singer/guitarist Ted Nesseth’s lyrics, and violinist Genevieve Gargon’s complementary, darting chords. In short, it’s pop-rock perfection.

25. Matt Pond PA – Amazing Life
This is one of those tracks that I haven’t managed to find time to post about in December, but consider this a micro-post. Matt Pond PA recently released a free EP, entitled “The Freeep” (get it?) which you can download for free on their site. 9 tracks in all (6 full songs and 3 instrumentals), it’s all dreamy, wishful tunes that are perfect for an end of year reflection time, and I’m loving it more with each listen. In other words, go get it. Ok?
This track, “Amazing life”, is just a taste of the wonder that Freeep is.

26. Cost of Comfort – Golden Bones
I didn’t really post about this track so much as point you towards another post, but Cost of Comfort’s “Golden Bones” was a track that steadily grew on me over time. The repeat button was well-worn on this one.

27. The Enright House – Scattering the Sun Like Gunshot (acoustic)
Another song that I haven’t managed to post about, this acoustic rendition of The Enright House’s “Scattering the Sun Like Gunshot” is simply beautiful. Largely an instrumental piece, it’s that kind of heart-breaking beauty that makes a song stay with you for days after you’ve heard it. From what I gather, The Enright House don’t normally put out much acoustic work, but based on the strength of this track, I really wish they would. You can download the rest of their EP, “6 Acoustic Renditions” on their site.

28. Questpoetics – Tonight
A bit of a guilty pleasure here, this track from Questpoetics “A Sound Campaign” shows the versatility of Questpoetics’ music. There’s actually a bit of a roundabout story to my discovery of this album. I was on the Youtube, surfing Ryan Adams videos, when I came across some Ryan Adams guitar lessons. I was so impressed with the quality of those lessons, that I ended up surfing around to see what other guitar lessons were on the tube. Long story short, I eventually came across some guitar lessons videos posted by Randy from Questpoetics, and from there found their tunes. And it turns out good things do come when you least expect it. A mixture of hip-hop/acoustic/reggae, I’m surprised I haven’t heard more of a buzz about these guys. They deserve more exposure.

29. Ben Nichols – The Kid
Stripped-down, dusty guitars and a plaintive, world-weary, yearning voice? Yeah, I’m sold. Listen to this. ‘Nuff said.

30. Ryan Adams & The Cardinals – Fix It (live on Letterman)
So Cardinology was released this year, and there were some mixed reactions. Despite what you think of the album, however, I think you’d be hard-pressed to find a Ryan Adams fan who didn’t love “Fix It”, the lead single from that album. And, for my money, you’d be hard-pressed to find a better version of that song then this one, taken from The Cardinals performance live on Letterman. Filled with passion, I think it’s everything Ryan Adams fans were hoping we’d one day see from Ryan again. I’ve included the video below. If you don’t get excited by the emotion you see at the 1:35 mark… well, I salute you as our robot overlords.

31. William Fitzsimmons – You Still Hurt Me
As I wrote recently, “William Fitzsimmon’s music has that heart-string-tugging, ever so fragile quality to it that makes for the best of tunes. When you hear his voice, there’s almost a caution there; as if you exhale too loudly, you might frighten this wonder away.” If you listen to this track from Fitzsimmon’s “The Sparrow & The Crow” album, entitled “You Still Hurt Me”, you’ll be able to see what I mean.

32. a King – Safe as Houses
A song that so excited me about South African music, I instantly proclaimed them “South Africa’s Next Big Thing”. Do I regret making such a hyperbolic claim? Not on your life, buddy.

33. Peasant – Impeccable Manners
Man, another one I haven’t managed to post about in the past month. Shows how busy things have been around here. But Peasant‘s release, “On The Ground” is nonetheless a striking release. Recalling hints of Elliott Smith and Iron and Wine, the guy simply is a master story-teller. I’ve had a few emails from Peasant’s publicity team, but somehow let a post slip through the cracks (sorry Bryan!).
Anyway, in the meantime, I see that Daytrotter have put up a post, so I don’t see much point in putting my own rehash out there. I’ll just point you there, and quote their lines of “What becomes so beautifully clear in listening to Derose sing – in that clear mountain stream, weepy-voiced way of his – is that none of his characters and none of us are ever rid of any of the people that we’ve shared the dark or a kiss with.
Couldn’t have said it better myself. “Impeccable Manners”, the song I’ve included in this mix, is just one of the great tracks off of Peasant’s release.

34. The Tallest Man On Earth – It Will Follow The Rain
I think this one might have slipped through the cracks from the 2007 releases, but I think I’ve done fairly well containing this list to 2008 releases, so a slip-up here and there can be overlooked. As I said about The Tallest Man On Earth (aka Swede Kristian Matsson) when I first posted about him:
… is exactly that sound that I love… scratchy and warm. It honestly feels as if Matsson is performing these songs live in your kitchen, with every breath and every crack is his warm rich voice present. There’s nothing forced here. It’s natural, and tumbles from The Tallest Man On Earth in a way that’s impossible to resist.

35. Elvis Perkins – Weeping Pilgrim
Quoting myself, talking about the track “Weeping Pilgrim” from Elvis Perkins, “What do you need to know about it? Not much… save for the fact that it’s a cracking tune of longing and struggle, that is everything music should be. Seriously. There’s an indomitable spirit to this song that simply cannot be beaten down. Listen to this and love it.

36. Samamidon – Saro
And so we come to the end of this mix. And what to say about this final song, “Saro” by Samamidon? Well…
Saro, like the majority of the songs on Samamidon’s upcoming new album, “All Is Well”, is actually a retelling of a traditional folk song, “Pretty Saro”. There are countless covers of this song, performed by such great names and Judy Collins, Bert Jansch, and Doc Watson, among others; Samamidon’s version is the most haunting and beautiful I have heard… There truly is nothing else to say, except that Samamidon is on the cusp of greatness. Without question, his will be the definitive version of this song“.

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So if you’ve made it all the way to the end of this post, I’d like to thank you for sitting through another “Best of 2008” round up. On a related note:

I really want to thank all the readers of this blog. Honestly, at times it’s not easy to keep running this thing (what with other commitments, running costs etc)… but every time one of you leaves a comment, or drops me an email, it reminds me why I do this thing. So, my very best thing of 2008? Why… it’s you, of course. Yes you. No need to look around.


Be lucky all. Here’s to a great 2009.

Categories
artists concerts digital downloads guitar music

Howie Day, live at the Troubadour in Brisbane

(Side Note: Apologies for the weird formatting issues in the below post. I’m posting this from the road, and my laptop seems to be acting up a bit. When I’m back at my regular computer next week, I’ll try and fix it up. For now, I hope you can put up with the changing fonts and weird picture alignments etc.)

So last night, I saw a musical genius at work. Those who have read this blog for any amount of time might know my somewhat obvious admiration for all things Howie Day. If you aren’t aware of this, I suggest you check out my last post regarding him, entitled, “Live Music Friday – Howie Day live at The House of Blues. (Or, I’m in mourning. I missed the Howie Day gig.)”.

Back? Ok, good. So, now that you’re up to speed, you can imagine my excitement when I learned that Howie Day was returning to Australia, this time headlining his own tourand was performing at the Troubadour in Brisbane. This time, I wasn’t going to miss it for the world.

It was my first time visiting the Troubadour last night, and I must say, I was very impressed with the venue. Tiny and laid-back, it’s the perfect spot for a live, intimate gig. Unfortunately the crowd was… well, shall we say slightly young for the most part (in fact, at one stage Howie commented to one extremely tipsy amorous pre-legal age girl at the front of the crowd that “he remembered his first beer too”), but overall the setting was a great one.


Anyway, I’m getting slightly ahead of myself. First, there was the opening act. Well, two opening acts actually. The first was a girl that, for the life of me, I don’t think ever mentioned her name (sorry… if you by any chance come across this post, feel free to drop a comment so I can update the entry with a name). Her set was good, although I think she has a bit to learn about dealing with being an “opening act”. Her awkwardness was part of her charm though, and she played a short set which was worthwhile. After this mystery girl, Sophie Koh came on stage.

Sophie Koh is a girl that I had – coincidentally – only recently become aware of, so I was very interested in hearing her play. Although she apparently usually plays with a full band, Sophie was up on stage as a solo performer, and as much as she may protest against this statement, I really think this is the setting in which she excels. Sophie has that kind of vulnerability to her voice that you simply cannot dislike, and her guitar phrasing is nothing short of beautiful. Seeing as I’ve only recently become aware of her music, I won’t waffle on too much here. Suffice to say that, if you get the chance… go see this girl live. You won’t be disappointed.

Listen: Sophie Koh – All The Pretty Boys

After Sophie, it was time for the main event… Howie Day came on stage to what seemed like a subdued crowd (although I think the reason there was a hush was that everyone was waiting in what can only be termed extreme anticipation). It’s weird, but I don’t think I’ve been to a gig in the last 5 years where simply everyone was sitting on the ground in silence. But that was the case with this one. While I think Howie seemed somewhat unsure of what to make of such a crowd when he came out, I think he soon warmed to the fact that here was a crowd to listen.

After a quick, “How you doing?”, Howie launched straight into “Sorry, So Sorry”, which had the crowd in raptures. And it was here that my question was answered. In recent live shows of Howie’s that I’ve heard, it’s seemed clear that he appeared to be moving away from the looping effects of his shows from years past. While I could appreciate the new direction, I would have been lying if I said I wouldn’t have been disappointed if he didn’t employ his “trickery” as he so often termed it that night. However, launching into “Sorry”, it was clear that this was a disappointment I wasn’t going to have to deal with. Unfortunately, just as the song was reaching it’s emotional peak, it became clear that there were some power issues with Howie’s pedals that interfered with the sound equipment; interference that led to everything cutting out, and Howie having to stop, mid-song. Despite this clearly nerve-wracking time for Howie, once the issue was sorted he picked up the song, quite literally from the line he left off, and just let loose with an emotion that bowled us all over.

Howie Day performing live at The Troubadour
Howie Day performing live at The Troubadour

After “Sorry”, the night flew by in an absolute flash for me… I simply blissed out on – finally, after all these years – finally hearing one of my favourite musicians perform live. For those who are interested though, here’s the setlist (as I recall it) from the night. If you were at the gig though, and think I’ve missed something out, then drop a comment and let me know.

Howie Day at The Troubadour in Brisbane Setlist

Sorry, So Sorry
Brace Yourself
Ghost
Sunday Morning
No Longer What You Require (new song)
Sound the Alarm
Bunnies
Perfect Time of Day
Collide
Madrigals

Encore:
She Says

Highlights of the set for me? Well… to be honest… everything. However, if pushed to pick a few highlights, I’d say “Ghost” (of course), “Bunnies” (which was simply brimming with emotion), “Madrigals”, “Collide” (which Howie introduced as simply, “Well, here’s this song”, which was an indication of what a curse and blessing the song is, even all these years later. The reason it’s on my highlights list, though, is that it’s the reason my girlfriend came with me to the gig; a rare occasion), and the new song, “No Longer What You Require”. It was my first time hearing this new song, and – quite frankly – it’s the most excited I’ve been about Howie’s music in years. Point blank. And I don’t mean that in a derogatory way at all, it’s just an indication of how amazing the song is.

As I mentioned above, it’s pretty much impossible for me to give a song by song breakdown of the night, as I lost myself in the music. I will say this though… Howie not only lived up to my expectations – which after close on 8 years of waiting in anticipation, were not small… by any means – but he clearly overwhelmed them. The guy was nothing short of magical. Possessing one of the strongest voices I’ve ever witnessed, and with a musicality that simply towers over most over performers, the night was one that with stay with me for years to come. All I can offer, should some of Howie’s people stumble across this post in their usual reputation management checks, is my sincere thanks to Howie for a simply amazing night.


Howie's many pedals...
Howie's many pedals...


After Howie had finished for the night, he came out and joined the crowd (or what was left of it) for a while. Thankfully, I managed to meet him, and a more humble, gracious person you could not hope for. Despite what the media sometimes portray Howie as, I was amazed at how down to earth he was, and how hard he was obviously willing to work at his chosen career. I’ll be honest: I was amazed that Howie performed to such a small crowd, with such a cheap ticket price in the first place, given what he could obviously ask for. But he’s clearly committed to working on breaking it in Australia from the ground up, and that’s something I have major respect for. Anyway, I managed to snag a pic with him, which is below. Unfortunately, I forgot my camera that night, so all the pics are from a somewhat crappy phone camera… which is a pity, but still, at least it’s a reminder of a wonderful meeting. Thankfully, Howie was kind enough not to laugh at my fumbled, tongue-tied compliments.

Howie Day & Burgo
Howie Day & Burgo

Anyway, that’s clearly enough from me, as this post is becoming ridiculously long. All that’s left to say? Come back soon Howie. We’ll be waiting for you.

Listen. Love. Support.

Listen: Howie Day – She Says (link no longer active)

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Update: 10 December, 2008

Seeing as this track has already been put out there on the ‘Tube (see the comments section of this post for more on that), I don’t see a problem with posting the mp3 of that video. So here, for your extreme auditory pleasure, is Howie Day’s new song… “No Longer What You Require”, from his live performance at Annandale while on his Australian tour. It is, quite simply, beautiful. As I said up above, in the main post… it’s quite possibly the most excited I’ve been about Howie’s music in years.

Listen: Howie Day – No Longer What You Require (live performance of new song)

Seeing as there’s really no information out there about this song, I thought I might as well take the time to transcribe the lyrics from this performance… as up until now I’ve drawn a blank looking for any lyrics out there already. I’m pretty sure there are a few mistakes in the below, so please feel free to correct me in the comments and I’ll be sure to update the post accordingly.

Anyway, here you go… Howie Day, “No Longer What You Require” Lyrics

We had it all we were young lovers
We were full of trust and faith
And we were deadset on making it last forever
forever and a day
I recall it was fall last year when it started to die
Standing still as the temperature kills
The summer (?) that were keeping it alive
The days got colder so I held you closer
In an effort to save us some time
Almost like the wind came and ruined the spark
And left us in the dark

But hey,
I could have told you that i loved you and stayed
Around to kindle the fire
But I was late
On my returning now you’ve lost all faith
And I am a liar
I’m no longer what you require

See I still feel you at night
Turning in the sheets when I turn out the light
It’s how a ghost,
The ghost of your first love
Won’t ever leave you until the day that you die
I won’t have any doubt leaving her behind
Even if the choice was the right one
It was a good thing staring me right in the face
but I turned and ran away

But hey,
I could have told you that i loved you and stayed
Around to kindle the fire
But I was late
On my returning now you’ve lost all faith
And I am a liar
I’m no longer what you require

Back then the days were so much faster
we were young, stubborn and in love with disaster
And no, you cant come back even if you try
You better just forget and won’t you close the door on me
Coz it’ll never be the same
It’ll never be the way it was before

But hey,
I could have told you that i loved you and stayed
Around to kindle the fire
But I was late
On my returning now you’ve lost all faith
And I am a liar
I’m no longer what you require
Well hey,
I could have told you that I loved you and stayed
Around to kindle the fire
But I was late
On my returning now you’ve lost all faith
In the dying light
I’m no longer what you require
I’m no longer what you require

Categories
2008 releases artists guitar live songs music music videos

Ryan Adams & The Cardinals, 3 Voor 12 Set

Following on from the Cardinals’ Coffee Shop Show, Ryan Adams & Co. have just released the entire (yes, entire… in other words, close on 30 minutes) 3 Voor 12 set up at cave.cardinology.

I really don’t see the need to enter too much in this post here. Honestly, I think I’ve talked about Ryan Adams and The Cardinals enough in the past for you to get all the information you need. So… I’ll just cut this short, and embed the video below for you to watch.

Trust me when I say it’s beautiful.

Categories
2008 releases artists artists to watch for in 2008 guitar music

Joe Pug, live on NPR’s Mountain Stage

This is a really short note here, but to any of you readers who have enjoyed the stuff you’ve heard from Joe Pug on this blog so far, you might want to head over to NPR to stream Joe Pug’s October 5 performance from NPR’s Mountain Stage in fulltrust me, you won’t regret it.

The set features two unreleased tracks – “Bury Me Far From My Uniform” (absolutely killer!) and “Not So Sure” – as well as “Nation of Heat” and “Hymn #101”.

Joe Pug… still easily one of my favourite artists for 2008.

Thanks to Sharyn from No Door Agency for dropping me a line and keeping me updated on Joe’s whereabouts.

For those of you in the US, you can catch Joe at one shows in his upcoming tour, listed below:

Tour Dates:
11/15  Bluebird Music and Arts Fest / Columbia, Missouri
11/17  Tractor Tavern w/ Joe Ely / Seattle, Washington
11/18  Aladdin w/ Joe Ely / Portland, Oregon
11/21  Cafe Du Nord / San Francisco, California
11/23  The Loft @ UCSD / La Jolla, California
11/24  Hotel Cafe / Los Angeles, California
11/29  Cranky Pat’s / Neenah, Wisconsin
12/5   Stubb’s BBQ / Austin, Texas
12/7   The Continental Club / Houston, Texas
12/10  Hodi’s Half Note / Fort Collins, Colorado
12/11  Bluebird Theater / Denver, Colorado
12/12  Fox Theater / Boulder, Colorado
12/13  Three 20 / South Breckenridge, Colorado
12/19  World Cafe Live (with Rhett Miller) / Philadelphia, Pennsylvania
12/20  The Black Cat (with Rhett Miller) / Washington DC
12/26  Barrymore Theater / Madison, Wisconsin
12/27  Gennesee Theater / Waukegan, Illinois
12/28  Rialto Square Theater / Joliet, Illinois
12/29  First Avenue / Minneapolis, Minnesota

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2008 releases artists artists to watch for in 2009 digital downloads guitar music

William Fitzsimmons – The Sparrow & The Crow

For some reason, if you’d asked me last week whether I had posted about William Fitzsimmons on this blog before, I would have sworn blind that I had discussed his 2006 album “Goodnight” sometime in 2007. However, I recently received his 2008 album, “The Sparrow & The Crow“, and was preparing a post when I looked back through this blog archives – trying to find my past post – and I realised that I must have dreamed the whole thing.

But you know, for some reason that’s kind of fitting. William Fitzsimmon’s work has that ethereal, floating quality from which the best dreams are made.

Fitzsimmon’s path towards music reads like some kind of fantasy tale filled with destiny. From his site:

William Fitzsimmons is one of the oddest people you will ever meet. Born the youngest child of two blind parents, William was raised in the outskirts of the steel city of Pittsburgh, Pennsylvania. Due to the family’s inability to communicate through normal visual means, William’s childhood home was filled with a myriad of sounds to replace what eyes could not see. The house was suffused with pianos, guitars, trombones, talking birds, classical records, family sing-a-longs, bedtime stories, and the bellowing of a pipe organ, which his father built into the house with his own hands. When his father’s orchestral records were not resonating through the walls, his mother would educate him on the folk stylings of James Taylor, Joni Mitchell, Bob Dylan, and Simon & Garfunkel. By the completion of his youth and schooling, Fitzsimmons had become well-versed at a variety of instruments, at the minor expense of social standing, interactional skills, and a knowledge of proper shaving technique.

William Fitzsimmon’s music has that heart-string-tugging, ever so fragile quality to it that makes for the best of tunes. When you hear his voice, there’s almost a caution there; as if you exhale too loudly, you might frighten this wonder away. Watch the below video of Fitzsimmon playing “It’s Not True” – from his “Goodbye” Album – on DeepRockDive to see what I mean…



Enough about the past… let’s look at Fitzsimmon’s latest release, “The Sparrow & The Crow”.
Put simply, it’s a wonderful album. I mean, really, that sums it all up.
But, to go a bit deeper: The Sparrow and The Crow is an album with some heart-wrenching stories behind it. Like his past releases – namely “Goodnight” and “Until We Are Ghosts” – the album deals with some incredibly personal tales. Not surprising, when you consider that the album, in Fitzsimmon’s own words, was “written first and foremost as a confession and apology to my former wife“.
I recently came across a wonderful interview with Fitzsimmon’s where he related this story:

The Sparrow and The Crow – Are you comparing relationships of the heart to the flight or actions of birds? What’s the concept of the album?

I’ve always thought symbolism was a wonderful literary tool for getting across meanings in a more substantive and tactful way. I think it allows one to be concise and pointed in meaning, without sacrificing clarity for an aesthetic sake. The main idea for the record title came on a drive I was taking out in the country here in Illinois. I noticed a couple birds flying together against a strong wind and suddenly, one of the two turned and flew away, leaving the other one alone. For some reason it just seemed rather poignant and explanatory to everything I had gone through in the last couple years. I don’t know, maybe I was just really tired. But for whatever reason, it hit me pretty hard. I spent a lot of time soon thereafter looking into the historical and myth-related meanings of certain birds, and came upon a couple (the sparrow and crow) that seemed to fit the nature of the story I was trying to detail. Specifically, the sparrow is my former wife and I am meant to be the crow. And as I’ve committed myself to be honest in the process of telling such a serious story, I can say that the album is the tale of my failed marriage and the process of trying to start life over again.

Anyway, on to the tunes themselves. I’ve included two songs below, for you to get a taste of the album. Both these songs are taken from the second half of “The Sparrow and The Crow”, which is – in my opinion – where the album really kicks into uber-awesomeness. Fitting, I suppose, considering that the album is telling a story. Really, if this was a screenplay, these songs would be playing during the final “resolution” stage of the film.


The first, “They’ll Never Take The Good Years“, is perhaps the song with the most acceptance on the album. The second, “You Still Hurt Me” is a song with which we can all wistfully relate.
Listen to these songs. Seriously. They may just help you.

Listen: William Fitzsimmons – They’ll Never Take The Good Years
Listen: William Fitzsimmons – You Still Hurt Me

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2008 releases artists covers digital downloads guitar live songs music

Ryan Adams & The Cardinals, in the BBC Studios

So this past Saturday, Ryan Adams and the Cardinals appeared on BBC Radio 2’s Dermot O’Leary show… and man, what a treat we were in for.

It was a short and sweet slot, with only 2 interview segments, and two songs, but those two songs were pure magic. The first was the always-stunning “Fix It” (by the way, if you haven’t seen their performance of this song on Letterman, then head here. Seriously, you need to watch it)… and then straight out of left-field comes a cover of Foo Fighters “Times Like These”. I’m loving the way they perform the song, and it’s actually reminiscent of a way I used to play it at various open mic nights, which probably lends itself to a greater connection with me.

Anyway, I’ve included the entire show including interview segments below, but at the very least, listen to “Fix It” and “Times Like These”. Sheer beauty.

Ryan Adams & The Cardinals – Live on Radio 2

Ryan Adams & The Cardinals – Chat I
Ryan Adams & The Cardinals – Fix It
Ryan Adams & The Cardinals – Chat II
Ryan Adams & The Cardinal – Times Like These