Way back in 2007, when I wrote my “30 South African Bands you NEED to hear!” post, there was a handful of bands that inspired the post in the first place. Just Jinger, Max Normal, Perez, Springbok Nude Girls… and Plush. You can click on through to read more in that post, but to cut a long story short, here’s the important bit from the post that you need to know about Plush…
Plush were an acoustic rock band based out of Cape Town, comprising of Rory Eliot and Chas Smit. Together they were described as “so unbelievably tight that they sound as though they are one masterful musician, playing two guitars, with four arms and one almighty voice“. Plush were everything I had been waiting for. They wrote songs that spoke to you. Welcomed you in. Sat you down with a beer, and lent a sympathetic ear for all your hurts. They played the soundtrack to your life. Plush, in my opinion, had the potential to be the best thing out of South Africa. Ever.
Plush’s rocket ride to stardom ended tragically when Smit was killed by a drunk driver when attempting to cross a street in Pietermaritzburg in September 2005.
For a taste of what Plush had to offer, the tune below, Erla, was off their debut LP, “All That Is Should Be”, from 2004. I don’t think I’ve ever heard a more confident, full debut.
I don’t think any other death in my “musical life” played a larger part than Chas’s. I knew the guys, tangentially, from playing a few of the same festivals as them. We shared one or two of the local bars as regular gig venues, and – looking back on it now – were probably more contemporaries than I ever really knew. But to me, Plush were just something bigger. They were the guys who were going to show the rest of the world everything that South Africa could do. So when Chas died, a little bit of that hope died with me.
Rory, the other half of Plush continued playing as “Rory Eliot & The Reason”. And his stuff was good, but never quite hit me like the old Plush stuff did. But over the last few years, Rory’s started up “Plush” again, with new band members Carl Wegelin and Emelio Gassibe.
Anyway, all of this is a lengthy preamble to say that Plush are just about to launch their new, self-titled debut. And I’ve just heard their lead single, Dancing in a Storm.
And I got that good old “Plush” feeling again… and I’m sitting here, transported immediately back to simpler times.
God. It’s already December the 15th as I write this (not sure when I will get to publish the post) [Ed’s note: only half a month later. Not bad. I’ll just use the excuse that I was waiting until 2009 was over, to give every possible chance to every album in the decade. Yeah, that’s it] and I haven’t even started on my “Best of the Decade” list.
I think part of the reason behind the procrastination is that, in a lot of ways, it’s simply too big. How do you boil a decade down to a single post? Which is why this isn’t the usual “Best Releases of the Noughties” post. Instead, this is just a post about some of my personal favourite albums of the decade, and which ones affected me as a person the most.
Anyway, no more qualifications or justifications, I just wanted to make that clear. Now that that’s out the way, let’s dive in, shall we?
(Side note: you might notice that the below list has 56 albums, instead of the traditional 50. “Why is that?”, you might ask? Well, to be honest, I’m not sure how that happened. Somewhere in drafting this post, I obviously skipped some numbers, and it was only when I got down to the last few I noticed I was heading to negative figures. As I say… no idea how it happened, but there you have it).
56. Cat Power – You Are Free (2003)
I both love and hate this album. I love it because it honestly is a thing of beauty. But I hate it because nothing Chan Marshall has put out since has ever come close to touching this release.
Must hear: Good Woman
+ Buy From Amazon
55. Basia Bulat – Oh, My Darling (2007)
Seriously, as soon as those handclaps started on single “I Was A Daughter”, I fell totally and completely in love with Basia Bulat. Arguably one of the most complete debut albums I had ever heard.
Must hear: I Was A Daughter
+ Buy from Amazon
54. John Mayer – Continuum (2008)
And with this entry, I can hear the closing of windows in disgust from 98% of the other music bloggers who read this blog. But seriously, I’ve never understood the disdain most music bloggers seem to have for Mayer and his releases. And, as a guitarist myself, hearing “Continuum” for the first time was a staggering event, where John Mayer matured right in front of our very eyes. Or ears, as the case may be. The phrasing throughout the album is absolutely impeccable.
Must hear: Slow Dancing in a Burning Room
+ Buy from Amazon
53. Damien Rice – O (2003)
Another case where I was torn: which album which make it, Damien’s 2003 debut, “O”, or the 2006 follow up, “9”? “9” nearly won it purely on the strength of opening track “9 Crimes” (which will easily go down as one of my songs of the decade), but in the end, I had to go with “O”. As an album, its raw passion from start to end is impossible to ignore.
Must hear: Cannonball
+ Buy from Amazon
52. Nizlopi – Half These Songs Are About You (2004)
It’s only now that I sit down to make this list that I’ve noticed a trend, in that many of these albums of debut efforts. Hmmm, does that say more about me, or more about the artists? That question aside, this release by Nizlopi came at exactly a point in my life where I needed this kind of music; life-affirming, yet introspective, it’s a beautiful album.
Must hear: Wash Away
+ Buy from Amazon
51. Explosions in the Sky – The Earth is not a Cold Dead Place (2003)
The second album from Explosions in the Sky, this 5 track masterpiece simply knocked me out when I first heard it. This is the very epitome of music you can lose yourself in. And when you find yourself again, you’re a new person.
Must hear: Your hand in mine
+ Buy from Amazon
50. Phoenix – Alphabetical (2004)
Most music bloggers seem to be hailing their 2009 release, “Wolfgang Amadeus Phoenix” as their best thing ever. Not me. For me, nothing comes close to “Alphabetical”. The thing is pure pop glory. And while “Amadeus…” may have the fantastic tune, “Lisztomania”… well, this is better.
Must hear: Victim of the Crime
+ Buy from Amazon
49. The Damnwells – Bastards of the Beat (2003)
Anyone who has read this blog for any period of time knows my love for The Damnwells. Easily one of the world’s most underrated bands, The Damnwells deserve to be huge. Epically huge. And their 2003 release, Bastards of the Beat, illustrates why perfectly. An album of singalong tune after singalong tune, Bastards of the Beat is one of the Noughties classics.
Must hear: Kiss Catastrophe
+ Buy from Amazon
48. Yeasayer – All Hour Cymbals (2007)
Strangely enough, this album took a while to grow on me. But man, once it did, it did. With lead single “2080” being my introduction to the album, I’m not sure how I didn’t lose my shit immediately.
Must hear: 2080
+ Buy from Amazon
47. Athlete – Vehicles and Animals (2003)
Man, it was a tough call for whether “Vehicles and Animals” or “Tourist” would make the cut when it came to this list, but ultimately Athlete’s debut release came out on top. With tracks like “El Salvador”, “Beautiful” and the stunning “You Got the Style”, this album of pop mastery was on rotation for the better part of a year for me. Full of wry observations, humour and genuine tenderness, Vehicle and Animals did it for me.
Must hear: Vehicles and Animals
+ Buy from Amazon
46. Imogen Heap – Speak for yourself (2005)
Textured. Layered. Cinematic. Visionary. No matter how you describe Imogen Heap’s music, one thing we can all agree on is that it is simply wonderful. Just like this album.
Must hear: Hide and Seek
+ Buy from Amazon
45. Joseph Arthur – Come to where I’m from (2000)
It’s no secret that my relationship with Joseph Arthur seems to have its highs and lows. But “Come to where I’m from”, released in 2000, was definitely a high point, and I still view it as one of Arthur’s finest moments. Unapologetically honest, it’s everything that a life-changing album should be.
Must hear: In the sun
+ Buy from Amazon
44. The Killers – Sam’s Town (2006)
What? Did I really pick sophomore release “Sam’s Town”, instead of debut “Hot Fuss”?
Well, yes, I did actually.
Sod off if you don’t like it.
Must hear: Read my mind
+ Buy from Amazon
43. Oasis – Heathen Chemistry (2002)
I don’t think I ever saw this on any “Best of ’02” lists, so I doubt I’ll see it on many “Best of the Decades” lists. In fact, chances are, I might be the only music blogger to credit this release with that honour. And sure, maybe by this decade, the best times of Oasis might have been behind them. But c’mon… “Hindu Times”? Noel on “Force of Nature”? “Stop Crying Your Heart Out” and friggin’ “Little by Little”?? For me, this was a great, great album. And, again, Noel picked up the singing for a few tunes. Rock on.
Must hear: Stop Crying Your Heart Out
+ Buy from Amazon
42. Ben Folds – Rockin’ the Suburbs (2001)
Strangely enough, not many people seemed to like this album. Perhaps it was because “Rockin’ the Suburbs” (apart from its title track) was a more sombre release than Ben Folds had released previously, with Ben Folds Five. Quite frankly though, I couldn’t give a rat’s ass. “Rockin’ the Suburbs” was one of the most beautiful things I had ever heard. “Still Fighting It”, in particular, was a declaration made with such honesty that it still haunts me to this day.
Must hear: Still Fighting It
+ Buy from Amazon
41. Flogging Molly – Drunken Lullabies (2002)
The second album from Flogging Molly, “Drunken Lullabies” combined acoustic guitars with punk guitars; violins with whistles, and the kind of lyrics that simply make your body feel more alive than it ever has. And – quite possibly – ever will again. God, this was a cracker of an album.
Must hear: If I ever leave this world alive
+ Buy from Amazon
40. Death Cab for Cutie – Plans (2005)
I’m certain to catch some flack for choosing “Plans” as Death Cab’s release of the decade; after all, people rightfully claim that this, their first release on a major label (Atlantic) is too predictably slick, too polished. And that’s true; it is, and certainly doesn’t display the rawness of earlier releases. That doesn’t change the fact that it’s a sodding great record. After all, this is the album with “I will follow you into the dark”, for pete’s sake.
Must hear: Marching Bands of Manhattan
+ Buy from Amazon
39. Joe Pug – Nation of Heat EP (2008)
The most impressive debut I think I have ever heard. Complete in every sense, “Nation of Heat” remains one of the most exciting releases of the past 10 years. I still hold out high hopes for Joe.
Must hear: Hymn #101
+ Buy from Amazon
38. Band of Horses – Cease to Begin (2007)
Hauntingly beautiful, Band of Horses “Cease to Begin” release was the first real exposure I had had with the band. Sure, I had heard their 2006 debut “Everything All the Time”, but it took this release, and particularly the cracking tune, “No One’s Gonna Love You”, to really pull me in. And man, I’m glad it did.
Must Hear: No One’s Gonna Love You
+ Buy from Amazon
37. Tegan & Sara – The Con (2007)
The only fault I could find in 2007’s “The Con”, was that the damn thing ended too soon. And that’s a fantastic, fantastic fault to have. Tegan and Sara probably haven’t reached these heights again, but I’m ok with that. This was more than enough.
Must hear: Call It Off
+ Buy from Amazon
36. Flobots – Fight with tools (2008)
“Positive change music”. Sounds poncy, doesn’t it? But somehow, the Flobots pull it off with aplomb. I challenge you to listen to this album and not feel that you can change the world. And you know what? With enough of us, maybe we can…
Must hear: Mayday!!!
+ Buy from Amazon
35. Myslovitz – Korova Milky Bar (2003)
To this day, I have no idea how Myslovitz didn’t end up being huge. And by huge, I mean huge. When I first heard Korova Milky Bar, it was like it was the album that woke me up from slumber and breathed life into me. How could everyone else not feel the same way? But, alas, it appears they didn’t. Musical taste’s a funny old thing, isn’t it?
Must hear: Sound of Solitude
+ Buy from Amazon 34. The Postal Service – Give Up (2003)
You know, I’m still trying to figure out whether it’s a tragedy, or a blessing, that this is the only album the Postal Service have ever released. It’s a tragedy, because Ben Gibbard and Jimmy Tamborello, as Postal Service, create such bloody beautiful tunes. But, it’s more likely a blessing, as I don’t think they would ever be able to live up to this, their first (and likely only) album. Give Up was a revelation when I heard it. Back in 2003, I was going through somewhat of a backlash to electronic music. I thought I had heard all it had to offer, and quite frankly, I was bored with the lack of soul. Then Give Up came along, and changed all of that. And man, I’m glad it did.
Must Hear: This place is a prison
+ Buy from Amazon
33. Perez – Picture Perfect (2002)
Perez is one of a handful of South African bands to make it onto this list, and for good reason. (Incidentally, before moving on, Just Jinger’s “Here’s To You”, a joyous celebration of a new time in South Africa when hope was on the horizon just missed out on this list as it was released in 1999. But I had to make a reference to it here anyway. Go get it. It’s stunning and captures the feeling in South Africa at the time like no other album ever would). Ahem, as I was saying, “Picture Perfect” makes it on here for good reason. I remember the first time I heard “Wasted Out”, lead single from the album. It was a goddamn awakening. Recorded by guys that we had grown up with (only a few years older than us) who frequented the same places we did for a quick drink? Man, you couldn’t get more rock star than that. The entire reason I got into a band. Point blank.
Must hear: Wasted Out
32. City and Colour – Bring Me Your Love (2008)
One of those albums that you simply never seem to get tired of, Dallas Green’s (get it? City and Colour!) “Bring Me Your Love” was one of the highlights of 2008 for me. While I always loved his stuff in Alexisonfire, this folksy album from Dallas is by far the best thing he’s ever produced. So far, that is.
Must hear: Confessions
+ Buy from Amazon
31. Razorlight – Up all Night (2004)
Do you remember the first time you heard Johnny Borrell from Razorlight? God, he was an arrogant little prick, wasn’t he? You could practically hear the swagger in every word he spoke, couldn’t you?
I loved him. Johnny Borrell and Razorlight were going to save friggin’ rock ‘n roll singlehanded. They were the saviours we had all been waiting for. Here were some rockers you could respect.
Ok, so maybe looking back on it, Johnny and Co. might never have lived up to that promise, and ok, maybe that broke my heart. That doesn’t change the fact that every time I listen to “Up All Night”, I feel that optimism all over again. And I live in constant, constant hope, that Razorlight will deliver on this debut.
Must hear: Up all Night
+ Buy from Amazon
30. Markéta Irglová and Glen Hansard – Once OST (2007)
The first time I heard the soundtrack to Once, I fell in love. Fitting, given its context. I don’t think there has ever been a better soundtrack, and I’d be hard pressed to believe there will be, at least in my lifetime. Listening to Glen and Marketa experience love, and the hardships that go with it, through their songs, was something beautiful. And I will remember the first time I heard “All the way down” for the rest of my life.
Must hear: All the way down
+ Buy from Amazon
29. Bright Eyes – I’m Wide Awake, It’s Morning (2005)
“I’m Wide Awake, It’s Morning” is, in my opinion, the best thing Bright Eyes has ever produced (although Cassadega comes close). Although Conor Oberst had threatened brilliance for years before this album, it was with “I’m Awake…” that it all really seemed to come together. A singer-songwriter country/rock album, it’s the album that Bright Eyes were meant to make.
Must hear: We are nowhere and it’s now
+ Buy from Amazon
28. Jason Mraz – Mr A – Z (2005)
I feel like I constantly have to defend this album to Jason haters. Ok, so it doesn’t have the sheer abandonment of “Waiting for my Rocket To Come”. Yeah, it’s not as polished as subsequent releases. But “Mr A – Z”, Jason’s second album, has always been one of my favourites. There’s something in this album where you can almost hear Jason trying to find his way in his new life. And that honesty draws me in every time. As a side note, I’ve said previously that I think that Jason has one of the purest, most effortless voices I have ever heard, bar none. And this was the album where he showed that off with an opera solo during “Mr Curiosity”. It still gives me a kick whenever someone hears that song, and the opera section takes them completely by surprise. It’s the small things, you know.
Must hear: Song for a Friend
+ Buy from Amazon
27. Josh Ritter – Animal Years (2006)
How do you pick one album for the decade from an artist such as Josh Ritter? Answer? You don’t. Try as I might, I simply could not just enter one album for Ritter. His music was too special, too important to that decade for me. A lot of fans thought that in this album, “Animal Years”, Josh Ritter began to take himself too seriously. I beg to differ. I think it was an album where he found himself.
Must hear: Thin Blue Flame
+ Buy from Amazon
26. Josh Ritter – The historical conquests of Josh Ritter (2007)
And here’s the other Josh Ritter album, released the very next year. I’d go out on a limb here and call this the album of 2007, but we’ve seen how that’s worked out for me in the past. Aah, what the hell… this was the release of 2007.
Must hear: To the Dogs or Whoever
+ Buy from Amazon
25. Nada Surf – Let Go (2002)
For me, “Let Go” was the best thing Nada Surf had ever created, and I think it still is. The album was simply brim-full with masterful song writing, with lyrics that felt like they were written specifically for you.
Must hear: Blonde on Blonde
+ Buy from Amazon
24. The Streets – A Grand Don’t Come for Free (2004)
“Original Pirate Material”? Sure, that was a great album. But “A Grand Don’t Come for Free” was where it was at for me. Skinner opened up, and let us in. And damned if it wasn’t a damn nice place. I defy any male who has ever had a relationship end on them not to identify with “Dry Your Eyes”. Go on. I dare ya.
Must Hear: Dry Your Eyes
+ Buy from Amazon 23. Radiohead – In Rainbows (2007)
You know, it’s interesting looking back at my first reactions to this album, and my feelings towards it now. Tellingly, I ended off that post with the lines: “All in all, despite my misgivings, I have the feeling that “In Rainbows” is an album that will grow on the listener after time. And, so often, that has been the case with Radiohead in the past. Pioneers have to deal with strange looks from infidels sometimes.” Despite the clumsy wording of that sentence, the sentiment was right… the more time I spent with this album, the more it grew on me. I still don’t think this was exactly the biggest stretch for the band themselves… but that doesn’t change the fact it’s a great album.
Must hear: House of Cards
+ Buy from Amazon
22. Ryan Adams – Demolition (2002)
Fair warning, I couldn’t pick a single Ryan Adams album to include from the decade. So I cut it down as much as I could, but still ended up with four albums. Sue me. “Demolition”, to many, came off as a mixed bag… which makes sense, seeing as the album was ostensibly a “Best Of” compilation of unreleased demos, from the always prolific Ryan Adams. But for me, there was something special about Demolition. And with tracks such as “Chin Up, Cheer Up”, “Dear Chicago”, “Desire” and “Starting to hurt”, Demolition was always going to make it onto this list.
Must hear: Desire
+ Buy from Amazon
21. Dispatch – Silent Steeples (2000)
Another band that honestly changed my life, Dispatch’s 2000 release, Silent Steeples was the album of my teenage years (ok, ok, so I just scraped into the teens in 2000 when it came out. Sue me). There is literally not a single song on this album that does not kick ass. Not one. They don’t make them like this anymore.
Must hear: Bridges
+ Buy from Amazon
20. The Mountain Goats – The Sunset Tree (2005)
The Sunset Tree is a difficult album to listen to, once you realise how autobiographical the work is. For those who haven’t listed to John Darnielle’s work much, let’s just say that the guy did not have the best of childhoods. Lines like “Held under these smothering waves by your strong and thick veined hand, but one of these days I’m going to wriggle up on dry land” give you some kind of indication of what Darnielle experienced growing up. But, despite that, “The Sunset Tree” is an album filled with hope, in the direst of circumstances. And it takes a songwriter as talented as Darnielle to pull off that contrast.
Must hear: This Year
+ Buy from Amazon 19. Andrew Bird – The Mysterious Production of Eggs (2005)
This was a hard one. Andrew Bird has released a slew of awesome albums in the past decade (“Armchair Apocrypha” and this year’s “Noble Beast” both narrowly missing out on a place in this list), but ultimately I decided to go with 2005’s “The Mysterious Production of Eggs” (although I’m still in two minds about the decision, almost purely based on the strength of “Noble Beast”’s Anonimal). Can you tell I’m torn? I think “…Eggs” won out in the end because you can lose yourself so completely in the thing. Bird is, without doubt, one of the most interesting artists of the decade, and nowhere is this more evident than in this album.
Must hear: Sovay
+ Buy from Amazon
18. Frightened Rabbit – The Midnight Organ Fight (2008)
The release of 2008. ‘Nuff said, really. Seriously, I’m not going to waste your time here anymore. Just step away from the computer, go to your local music store, and get this album. You’ll thank me.
Must hear: Good arms vs. Bad arms
+ Buy from Amazon
17. The Gaslight Anthem – The ’59 Sound (2008)
God, I hate the fact that I just used the line “The release of 2008” in the previous entry. Because if any other album in 2008 stood up to “The Midnight Organ Fight”, it was The Gaslight Anthem’s “The ’59 Sound”. An album that, it appears, I’ll simply never get tired of, this is one that will stand the test of time. Watch my words.
Must hear: Great Expectations
+ Buy from Amazon
16. Howie Day – Australia (2000)
Howie Day is a year older than me, and – in many ways – I’ve grown up with the guy’s music. If any artist on this list has been able to speak for me when I couldn’t find the words, it’s Howie Day. In 2000, when I first heard this album (yes, it was released independently two years before the Epic release) I was 18. And man, did it speak to me. While I’m not sure that Howie has ever quite fulfilled the potential that I still feel he has in him, I’ll forever be grateful to him for this album.
Must hear: Ghost
+ Buy from Amazon
15. Jack Johnson – Brushfire Fairytales (2001)
Even though Jack had his music out there previous to this album (via soundtracks and the like) it’s still hard to believe that this album, “Brushfire Fairytales”, was his “proper” debut release. The album is a study in perfection, and I don’t make that statement lightly. A release that simply inspires joy, I’ll never forget the first time I heard it.
Must hear: F-stop Blues
+ Buy from Amazon
14. Ryan Adams – Love Is Hell (2004)
“Love is Hell” (issued as two EPs) saw a return to Ryan’s top form, and I think excited not only us fans, but Ryan himself too. I say that because when I’ve watched Ryan and The Cardinals perform live, there always seems to be a little extra… sparkle in the set, when they perform “Love Is Hell” tunes. And rightly so. The album was at once tender, and at the same time defiantly aggressive. Getting that mix right, some would say, takes genius.
Must hear: I see Monsters
+ Buy from Amazon
13. Plush – All That is Should Be (2004)
Another South African release, I’ve written about Plush before in my South African bands post (band #29), so I’ll let you read that for some more background. Suffice to say, I felt that Plush were going to save South African music. They had everything needed to completely revolutionise how the industry perceived itself, which was always our biggest problem. So when one half of Plush, Chas Smit, was tragically killed in a hit and run car accident in 2005 following a gig, a little piece of all of us died that day. A few years on, and Rory Eliot (the other half of Plush) has picked up the mantle again. I’m holding thumbs for him.
Must hear: Jet Life
12. Matthew Ryan – Matthew Ryan Vs. Silver State (2008)
You know, I’ve been listening to Matthew Ryan’s stuff for quite some time, so it might seem strange that it’s one of his latest albums, “Matthew Ryan Vs. Silver State” to make it onto this list. But, for all of Ryan’s habits of delving into the darker, more depressing conditions of the human spirit, it was this, his somewhat more optimistic album that stands above the rest for me. I’ve always felt that Matthew Ryan deserves far more recognition, because the dude really does produce music that means something. And that’s saying something.
Must hear: Dulce Et Decorum Est
+ Buy from Amazon
11. Outkast – Stankonia (2000)
The crowning glory of Outkast, without a doubt. Sure, “Speakerboxxx/The Love Below” might have been a more ambitious undertaking for the duo, but “Stankonia” was their masterpiece. The album had a massive 24 tracks, and yet somehow managed to keep it together for its entirety; no mean undertaking, especially given the fickleness of some of their hip-hop contemporaries at the turn of the new millenium. But that’s just it, really… Outkast had no contemporaries at the time. They were flying on a completely different cloud. And man, was it bad ass.
Must hear: Ms Jackson
+ Buy from Amazon
10. Pete Francis – Untold (2003)
There’s something about this album from Pete Francis (one third of the aforementioned “Dispatch”, who had by this stage broken up and moved on to respective new projects). I can’t describe what it is, but I felt that, when I heard this album, I grew up. I don’t know how else to describe it, but before listening to it, I was… different. After listening to it, I was another way. That probably makes no sense to anyone, but there you have it.
Must hear: Untold
+ Buy from Amazon
9. Coldplay – Parachutes (2000)
Just a great, great album. While Chris Martin seems to be the new Bono in the music bloggers world (ie. it seems remarkably popular to pick on the dude), I’d challenge anyone to disagree that this was a near-perfect album. Track after track, Martin and Co. knocked it out of the park. Reportedly, Chris refers to this album as “terrible music”; I’d disagree… for me, it’s possibly the best thing Coldplay have ever produced.
Must hear: Don’t Panic
+ Buy from Amazon
8. Ben Harper & The Innocent Criminals – Live from Mars (2001)
Ben Harper (with and without The Innocent Criminals) has been responsible for some of my favourite albums over the last two decades, but I’m not sure anything will ever quite live up to the 2001 live release, “Live from Mars”. “Live from Mars” is, quite possibly, the perfect “live” album; an album that captures – but does not tame – the live sound of a band at its highest point. Listening to this album is an exercise in sheer beauty… I cannot for the life of me listen to it, without wanting to pick up my guitar. And that’s a beautiful gift.
Must hear: Excuse Me, Mr
+ Buy from Amazon
7. Third Eye Blind – Out of the Vein (2003)
Ok, seriously. Music bloggers, I’m putting you all on notice as of right now. Stop with the 3EB hating, k? One of my favourite bands of all time, it was natural that Third Eye Blind would have an album on this list. So thank goodness for “Out of the Vein”, because the only other album released in the decade, “Ursa Major” was quite frankly not up to par. But “Out of the Vein” is another story. Every song catchy, every song full of wry observations… every song full of Third Eye Blind awesomeness.
Must hear: Crystal Baller
+ Buy from Amazon
6. The Weakerthans – Reconstruction Site (2003)
You know, even though The Weakerthans are ostensibly a punk rock/folk rock band, I still find it hard to believe that that’s the same John Samson singing as was once in hardcore punk band Propagandhi. And, even though in my younger years I had brief flirtations with Propagandhi, I’ll say this outright… that outfit never came close to The Weakerthans for me. Reconstruction Site was the band’s third full-length album, and really, it should never have been able to live up to the brilliance that was “Fallow” and “Left and Leaving”. But somehow, it not only lived up to those releases, but completely eclipsed them. Such a great, great album that had a story to tell. Just bloody brilliant.
Must Hear: Reconstruction Site
+ Buy from Amazon
5. The National – Alligator (2005)
I know most would pick 2007’s “Boxer” as their “National” release from the decade, but there’s something special about “Alligator” for me. Perhaps it’s a selfish impulse, that “Alligator” was where I first “discovered” the band. I’d largely missed out on the hype that was “Sad Songs for Dirty Lovers”, but this album was a revelation when I heard it. And, ultimately, when you get right down to it, Matt Berninger could read out a grocery shopping list and that voice would still captivate you.
Must Hear: All the Wine
+ Buy from Amazon
4. Bon Iver – For Emma, Forever Ago (2007)
I’ve written about Bon Iver enough times on this blog, and watching them live last year was one of my concert-going highlights for all time, so it’s no surprise that Justin Vernon and Co. find themselves on this list. This album, “For Emma, Forever Ago” is an album of fragile beauty, weary acceptance, and subtle hope. Simply beautiful, and an album that wasn’t just heard, but experienced.
Must hear: re: Stacks
+ Buy from Amazon
3. Ryan Adams & The Cardinals – Easy Tiger (2007)
Unquestionably, one of my favourite Ryan Adams releases. Once again backed by the Cardinals, “Easy Tiger” is full of those aching observations that Ryan Adams seems to toss off like dust off his shoes. Probably the most consistent of all Adams’ albums, “Easy Tiger” is an absolute must in your CD collection.
Must Hear: Two
+ Buy from Amazon
2. Antony and The Johnsons – I Am a Bird Now (2005)
You know, I distinctly remember this album came out right at the beginning of 2005, and yet, somehow, all of us knew without a doubt that it would be in our “Best of ’05” lists. “I am a Bird Now” is one of those albums that – if you’re lucky – comes along once in your lifetime. I’ve noticed that if I have videos playing of Antony Hegarty performing, a lot of people do a double-take; sometimes with notable discomfort on their face. It’s hard to blame them… if you’ve ever seen Antony and The Johnsons perform live, you’ll know the raw and painful emotion Antony puts into his performance. And that voice is just so damn fragile, and vulnerable, it sounds like it could break into a million shards at any time. It really is, at times, uncomfortable. Bloody worth it though.
Must hear: My Lady Story
+ Buy from Amazon
1. Ryan Adams – Heartbreaker (2000)
Could it really be that this was Ryan Adam’s debut solo album, post-Whiskeytown? Surely he sounds… older, and wiser here? But it was, and in a lot of ways many of Ryan’s subsequent releases seemed to be running away from Heartbreaker, in a sense. It was like “Heartbreaker” had Ryan at his rawest and most emotionally open, and for a long time everything after that was running and hiding; until, at least, Love Is Hell in 2004. Heartbreaker is perhaps Ryan Adam’s finest moment. And I’ll thank him for this album for the rest of my life.
Must hear: Come Pick Me Up
+ Buy from Amazon
(Update: It’s been brought to my attention that some people aren’t sure how to stream the songs while reading. Um. Click the little “play” icon next to the song name. Easy, huh?) (Second Update: Song links for below entry have now expired)
I used to be in a band in South Africa. More about that later. While I was in the band, people around would constantly complain about how hard it was to “make” it in the South African music industry, and that, even if you managed to, the ceiling was too low to stand tall. It sucked.
South African music has come a long way since then, however. Every week, I hear about someone that I knew, or someone completely new, blasting everyone away. The wealth of musical talent in South Africa is point-blank unbelievable. Bearing in mind the melting-pot that is South African culture (a country with more cultures than you can shake a yard-stick at), South African music has been born out of a mingling of local differences and outside influences; giving it all a special essence that carries with it the unmistakeable flavour of the country.
The problem with South African music, however, is that it all too often begins and ends it’s life in SA, without travelling the world and tipping it’s hat to strange faces.
It’s because of this fact that this post was inspired. I’m based in Brisbane at the moment, but South African music is still in my heart. And it should be broadcast worldwide. So I started compiling a list of SA music that you should be hearing. Some of these bands are now defunct, some still active, some just taking their first steps and starting out. It would be great if you could help them on their journey.
One last thing; in no way am I claiming this to be a definitive list of SA music. As with any mix-tape compilation, subjectivity is king and rules with an iron fist. There are of course a huge selection of artists who have carved their place in South African Music history, who do not feature below; Hugh Masakela, Brenda Fassie, Johnny Clegg and Juluka, Arapaho, Amersham, Bright Blue, Salty Dog; even some of the newer acts, causing much excitement, such as Fokofpolisiekar, are not mentioned below. This doesn’t mean they don’t deserve to feature; they simply don’t. Deal with it.
So, without further ado, I present to you…
(or, “1.9 hours of Saffa tunes ekse, wukkine!”)
1.Big Idea
(Status: Active)
Big Idea are a band that exemplifies the mix of cultures bubbling in KwaZulu Natal; since forming in 2004, they have become the quintessential hip-hop/jazz fusion group, and a leader of the live music scene. Fronted by charismatic vocalist Quincy “Ou Q” Fynn, the band is Paki Peleoele on drums, Rory “The Jacob” Jacobs on Sampler, vocalist/emcee King Babar, emcee Jet and Dj. LV on decks.
Oh. And I went to school with Rory. Hi Rory!
Big Idea are honestly a band that fills me with excitement. It’s kind of like the first time I heard Max Normal, and I knew that SA was going places. Big Idea fill me with that same, if not more, optimism for the future.
Their technique and creativity know no bounds.
Listen to the listed song below, “Aweh”, and tell me these guys aren’t destined for greatness with a straight face. Go on, I dare ya.
(Status: Active)
A product of coastal KwaZulu Natal, Guy Buttery is a freak of nature. An early adopter of the mandolin and sitar, the quest for new musical boundaries was inevitable for Guy. Through friend, guitar teacher and present jam buddy, Nibs van der Spuy, Guy was introduced to fingerstylist extraordinaire, Michael Hedges. This only poured more fuel on the fire.
A lot of Guy’s pieces use unorthodox guitar techniques; sometimes you can see him using his left hand for the rhythm section, while his right hand comes over the neck of the guitar to supply the bass or melody lines. Couple this with extensive harmonics, percussive drumming on the body of the guitar, and wild tunings, and you have an inkling of the force that is Guy Buttery.
On a side note, one of my dreams would be to see Guy play with Ohad Rein of Old Man River. The creative explosion would be something to see…
And, as an added bonus, here’s a recent video of him performing “December Poems”.
(Status: Active)
Wonderboom have been about for as long as I can remember, and thus earn the title of one of the longest-lived SA rock bands (via a poll of myself). This is no mean feat, as, generally speaking, South African rock outfits have a life expectancy slightly less than that of your “marked down for quick sale” milk.
In 2007, they released their seventh album, “City of Gold”, which proved once again that these guys are one of South Africa’s greats.
Wonderboom hold a special place in my heart; they were one of the opening acts for Live’s first tour of South Africa, and they blew me away with their stage presence.
This single is off their latest album, and is a slightly more mainstream track than the bulk of their stuff; but that doesn’t mean it isn’t up there with their best!
(Status: Active)
Nibs is a verified acoustic guitar legend of South Africa. I first came across Nibs when he exploded onto the scene with the band, Landscape Prayers, and was an instant fan. This grew with his solo albums, which displayed his incredible diversity; be it African, Classical, Celtic, World, Maskanda, Indian or folk, Nibs had you covered.
His latest album, “Beautiful Feet”, has opened to stellar reviews, and is gaining Nibs a reputation internationally.
This track, “Dream of Believers”, has Nibs at his genre-mixing best; and, incidentally, has him sounding more like Ben Harper than I’ve ever heard before!
(Status: Active)
I’m letting my bias be known here; Dave “Fingers” Mac is the reason I picked up a guitar in the first place. I was away at camp when I was younger, and there was this kid, a few years younger than me, who picked up a guitar and within 5 minutes had all the girls falling for him.
I wanted to be that kid. And that kid was Dave Mcmillan.
Dave has been the frontman and contibutor to more bands in Durban than I can count. However, recently he’s stepped out as a solo artist, and he’s shining brighter than anyone could have ever imagined. Including collaborations with such artists as Nibs, Guy Buttery, Roly Struckmeyer and Gareth Gale, Dave Mac’s new album is something special. With hints of Rodriguez, James Taylor and Ryan Adams, keep an eye out for Dave.
I wish him all the best.
Oh: And Dave has the entire album up for download (free download, I should add) at his official site linked below. Go get it.
(Status: Active)
Freshlyground exploded onto the SA music scene in 2002, and haven’t stopped since. It’s a band made up of individuals from all walks of life, and perfectly blends Afro beats, funk, dance, classical influences and jazz to produce a sound of Africa. Ever since the unstoppable radio hit of “Doo be doo”, Freshlyground is one of those bands who never fails in putting a smile on your face. They continue to make relaxing, easy-listening tracks with their latest release “Ma’Cheri”.
(Status: Defunct)
Cynosure were a band I wish had made it. Cocky and arrogant as all hell, they were made all the more irritating by the fact that they were frikkin’ great. A band that that managed to effortlessly produce colourful, melodic funk pop rock as easily as others breathe should have lasted longer than they did.
This track, “Land of Colour”, shows the pop sensibility that hinted at greatness. It’s too bad boys.
(Status: Active)
Another product of the coastal town of Umhlanga, Farryl Purkiss is one of the shining lights of South African music.
The first time I met Farryl, his “band” (more accurately described as guys who simply wanted to jam without practising) consisting of Farryl, Mark Campbell and Martin “Jiggy” Brennan was opening for my band at the time. I knew within the first chord that these guys would eclipse our efforts; I just didn’t expect it to happen as quickly as it did.
Farryl has toured both nationally and internationally, with superstars like Missy Higgins and Ben Lee, as well as co-composed and played with Jack Johnson… and now he’s headlined Australia’s famous Big Day Out.
Did I mention that Farryl’s a model? Well, he is. How envious are you now?
Seriously though, Farryl is straight-up one of the nicest musicians I know. When he came down under to tour with Bob Evans, I managed to slip into one of his gigs. Within a second of saying “Howzit?”, Farryl had reminded me of the camraderie that existed in the SA music scene. And, as one of it’s ambassadors, we can’t do much better.
(Status: Active in UK)
I remember the first time I saw Parlotones play; the lead singer, Kahn Morbee climbed onto the stage, and aimed his trademark megaphone at the microphone, and I knew I was in for a good night.
Due to The Parlotones eccentric creativity, it took a while for them to gain widespread acceptance; in some ways, they’ve reminded me of Radiohead, and the reactions to their more “prog-rock” releases in that regard. However, South Africa has been realising their potential in the last few years, and The Parlotones now stand as one of the bastions of South African rock.
If you get a chance to see these guys live, grab it with both hands.
(Status: Update – Deceased. See here for more.)
Syd Kitchen is to South African music what the Sphynx is to Egypt; a landmark that has seemingly always existed, yet remains a true enigma. Syd Kitchen has been active in the South African music scene since the late 60’s, and has in all that time remained an innovative and non-compromising performer.
Syd’s career has often been described as a portrait of ecclecticism and freedom of spirit; whether it be with the “Kitchen Brothers”, “The Flying Sombreros” or “Bafo Bafo”.
A teacher, thinker, and published poet, Syd Kitchen will always be, for me at least, the godfather of South African music. He is the very heart and soul of it all.
(Status: Active in the US)
Yes, I used “Jinger”. Yes, I know they go by “Just Jinjer” now, as the Yanks didn’t know how to pronounce their name. But to me, they will always be the Just Jinger of old.
Just Jinger is the biggest selling rock band in South African history, with over a quarter million units sold. Over the last decade, the band has performed and toured with U2, Counting Crows and Def Leppard among many others. Just Jinger, in many ways, are South African music.
I can think of no other local singer who has inspired me as much as Art Matthews. Just Jinger brought with them the promise of reconciliation, in the beginning days of a new South Africa. Ultimately, they represented hope.
I think, in some ways, they always will.
Choosing a track for Just Jinger literally gave me a headache; from songs such as “Here’s to You”, “Home”, “No God”, “Painting Hours”, and “Those Days Are Over”, it was an incredibly difficult decision. In the end though, it was “Father & Farther” that won out.
(Status: Active… for now)
Another band that basically are South African music, the Springbok Nude Girls exploded onto the indie-music scene in the mid-90’s, championing an eclectic and energetic approach to rock music that instantly struck a chord with the university crowd around their hometown of Stellenbosch.
What’s the Nudies music like? Well, take some punk, reggae, scat, metal, funk, jazz and psychedelia; throw it into a big melting pot; stir in some intrinsic Africa… and you have some idea.
Inevitably, the Springbok Nude Girls went the way of the majority of rock acts in SA, and headed into the deadpool on a sad day in South African Music history.
However, after more than 5 years apart, the pull became too much for the boys, and have recently reformed as the (more international sounding) “Nude Girls”. This track is one of the cult-favourites they gave life to…
(Status: Deceased)
I’ve already paid tribute to the passing of Lucky Dube in this post here. As one of the guiding stars of music in South Africa though, we need to pay tribute not only to his passing, but his life.
Lucky Dube made a type of melodious, African reggae that slowly but surely turned him into a superstar. He sang powerfully about social problems, racial inequalities, and his love for God. With the song, “Together As One”, he became the first black artist in South Africa to be played on a white radio station. This alone is an accomplishment that should never be forgotten.
As I said previously, “His political questioning meant that Lucky sang for the people, wanting everyone to live together; in some dark times, he truly was a voice for the voiceless.
Wherever you are now Lucky; I hope it’s irie.“
This track, Mask, is less reggae than the bulk of his work; but the sorrow is appropriate. And when that shimmering guitar begins? Man…
(Status: Active)
Prime Circle get the “most rapid rise to stardom” award. Forming in 2001, their debut album “Hello, Crazy World” was recorded and released in 2002, and with it, the storming single “Hello”, which catapulted them to the main stage of South African music.
Prime Circle have always been a strange one for me; you can’t deny their musicianship, and they put on great live shows… but in the back of my mind, I can’t help feel that in some ways they are doing “rock by numbers”. That said, they’ve certainly carved their niche in SA music, and deserve to be on this list.
(Status: Defunct)
I actually auditioned for Mr Smug, back in the day. Needless to say, I was turned down. Regardless, Mr Smug were an awesome band.
Marcel will probably be less than chuffed that I’ve included Mr Smug on this list, and not their current incarnation, “Sheep Down”. However, I would have been doing myself a disservice to not include them here. Mr Smug was a true bastion of South African punk, from their days at the Mishi Jones baseball park’s “Uprising” concerts, to their nights at the Winston. Hard, fast, and at times sloppy, Mr Smug rocked, and you rocked along with them.
As a side note, if anyone has their track “Paradise Road”, with it’s killer horns, please get in touch. For now, you’ll have to make do with the track “Little Blue Wave”.
(Status: Defunct)
Any kid who was even the slightest bit interested in rock in the 90’s would have heard of Squeal. Fronted by Dave Birch, Squeal were the quintessential rock group; bad asses who would throw out some balls to the wall rock, while you slugged back a Black Label at the festival grounds. Go on, deny you did.
Long Pig, their debut album, was probably one of my favourite albums of the decade, and this song, “See Saw”, was one of it’s most haunting tracks.
(Status: Active)
Dave Matthews, of the DMB, said of Vusi Mahlasela, “Vusi has a sort of profound beauty about him. He has a light on… And that’s something he would share with Bob Marley, Neil Young, Marvin Gaye or Miles Davis.” High praise indeed, but it’s deserved praise. Vusi’s sound is a hybrid of folk, world, blues and soul, one that connects South Africa’s Apartheid-scarred past with its promise for a better future. Writer, poet, political activist and consumate performer, Vusi truly is a guiding star in SA music.
(Status: Defunct)
Comprised of Karma-Lee Swanepoel and Julian Sun, Henry Ate were one of the most honest bands I ever had the priviledge of hearing. Karma had this innocence and beauty to her voice that simply crushed you; and Julian Sun’s backing vocals and guitar were the perfect complement. Henry Ate took you on a journey, and you never were concerned about the destination; the journey was all that mattered.
This single, ‘Just’ is one of the most widely played singles South Africa has ever experienced. It’s a guitar folk song filled with excitement and seriousness in the same breath, a dynamic piece of pop history that will probably always remind some of the open fields at festivals.
(Status: Active. Well, er. Sometimes. For Reunion gigs. When they’re all in the same country.)
(Update: Officially rocking again. Can you say “Hell yeah”?)
Perez. ‘Nuff said.
Nah, just kidding. But come on.. it’s Perez. These guys, I’m sure, were the inspiration for more bands starting up in my hometown of Durban than any other South African band. Perez exploded on the scene with no warning. Within 18 months of their debut show they managed to clock up 4 number 1 singles and sell out just about every live venue in South Africa, still holding attendance records at some of them.
The first time I heard them, I knew that music was what I wanted to do. Point blank. Mike Goddard, the drummer for the band, had been a few years ahead of me at school; and it absolutely blew me away that someone I knew could be on the radio, with a single that I couldn’t get out of my head. It was totally surreal.
The rest of the band were all familiar faces around Umhlanga; it was not surprising that they had a near cult-level local following.
Perez sadly broke up, and I don’t think South African music ever quite got over it. They represented every hope, and every dream we had, of exposing South African rock to an international audience. I remember the exact moment I recieved the news they were breaking up. It was at a band rehearsal, and we all just looked at each other; it was like we had lost the heart and soul of everything we were trying to do.
I left the country for a while. Did some travelling. As fortune had it, upon my return (I was only coming back for 5 days, before jetting out again), all the members of Perez found themselves in the same country, and did a single reunion gig in Durban, at the Bat Centre.
That night, I saw gods play on that stage. And if there’s one band I want to extend a “thank you” to, it’s Perez. Thanks guys.
(Status: Active)
Already featured on this list (lead singer of Springbok Nude Girls), Arno features again for his solo efforts. With his solo stuff, Arno hits and much as he misses; but when he hits, it stays hit.
(Status: Active, in the US, as Seether)
Not many Yanks know this. Seether began their career as a band from Maritzburg, called Saron Gas. Saron Gas slipped away quietly to the United States to perform a showcase with a large independent record label. The result of that meeting? A seven album record deal, change of band name and relocation to the United States.
The US may have become base for Saron Gas/Seether, but SA had them back before they started playing for the labels, as opposed to the music. We had them when they produced stonkers like “69Tea”, below.
(Status: Defunct)
I only played at the same festival as Deluxe once, which was fine by me, because it allowed me to appreciate their shows all the more. Deluxe were fantastic songwriters; they had that ability that only comes along every so often, to draw you in with their music and drag you along on their journey.
Deluxe ended far too soon. Had they continued on that journey, I have no doubt that they could have broken internationally. Unfortunately, we’ll never know.
(Status: Active)
Again, declaring bias here. I used to be a member of Sitter, back in the days when it was me, Adrian Arlt, Gary Wolno and Edan Latz. Eventually, the music wasn’t going in a direction that I wanted to follow though, and I ended up leaving. Soon after, Adrian headed overseas.
Never one to let something stand in their way, Sitter carried on and gained two new members, Darryn and Theo. I still get updated on how they’re doing across the pond, and from all reports they seem to be going from strength to strength, which is awesome. You’d be hard-pressed to find a more hard-working bunch in SA music than these guys.
This is actually a new version of a song that I originally recorded with them, called “The Music”. On this version, Quincy from Big Idea (listed above) busts some rhymes. I have to be honest; I think this version is way better than the one I was on :)
(Status: Active. Sort of. Only every now and again. So I hear.)
Movie55 were brought to my attention by Wicked Mike (Hi Mike!). At the time, he was managing them, and said they were probably one of the most exciting outfits he had come across in recent times. Not only highly professional, but creative and heartfelt with it.
Mike sometimes talks things up a bit, which is not to say anything bad against the guy, but it is his job after all. He cares about these bands. So I listened to the song, not really expecting it to live up to his hype.
I was wrong. Another band that could have gone far.
(Status: Active)
One-time lead singer for the afore-mentioned Movie55, BOON is quickly making a name for himself in South Africa as a solo artist. The themes of BOON’s music relate down-to-earth, everyday life, running the full gamut from kissing to loneliness, birth to death. No matter what form the songs are delivered in, it’s always music for the masses.
When I first heard the below single, I wasn’t sure about it… until that chorus kicked in. It’s haunting. Stick with it. I guarantee that after a few spins it will grow on you.
(Status: Active)
Known as Tree63 in the States, Tree were a staple of the 90’s Durban Music scene. Due to them being a band that proudly displayed their christian beliefs, they were sometimes sidelined by those in the music establishment who dismissed them as a “church band”; which was a great shame, as they were a band with a great innate pop-rock sensibility.
Ultimately, it was only a matter of time until one of the major Christian labels snapped them up, and in Tree’s case it was the powerhouse UK outfit, Kingsway Music. They’re still rocking up the worship festivals worldwide, last I heard. And in addition, they’re some of the friendliest guys you’ll ever meet, so if you see them around, say hi.
(Status: Well… active… but not in the incarnation below)
When I say Max Normal, I’m talking about the Max Normal that ended in 2002, with their last performance as the support group for Faithless in Cape Town. The Max Normal that released the groundbreaking album “Songs from the Mall” in 2001.
Max Normal were, for me, the band that dispelled the myth that white men couldn’t do the hip hop crowd proud in SA; their distinct style of rap, lyrical and beat composition dominated “Songs from the Mall”, and with it there was little doubt that these guys offered the SA hip hop community something entirely original, creative and 100% proudly South African.
(Status: Defunct)
Tweak’s brand of pop-punk never changed my world. But I found myself unable to leave them off this list, simply for the fact that Tweak was largely instrumental in exposing “punk” to a larger South African audience. Now, I know I’m going to get flamed for this, but please note the inverted commas around “punk”. There are plenty of other bands who were flying the punk banner high before Tweak (one of my favourites always being Pet Flyz), but it was Tweak, with their brand of inoffensive, radio-friendly, pop punk that gained punk more mainstream exposure. Criticize them all you want, but they did us a favour.
(Status: Defunct)
The first time I heard Plush, I dropped everything to listen. It’s not often a band comes along that stops you dead in your tracks, but Plush was just such a band.
Plush were an acoustic rock band based out of Cape Town, comprising of Rory Eliot and Chas Smit. Together they were described as “so unbelievably tight that they sound as though they are one masterful musician, playing two guitars, with four arms and one almighty voice“. Plush were everything I had been waiting for. They wrote songs that spoke to you. Welcomed you in. Sat you down with a beer, and lent a sympathetic ear for all your hurts. They played the soundtrack to your life. Plush, in my opinion, had the potential to be the best thing out of South Africa. Ever.
Plush’s rocket ride to stardom ended tragically when Smit was killed by a drunk driver when attempting to cross a street in Pietermaritzburg in September 2005.
I, along with many South Africans, shed a tear that day.
(Status: Active)
Rory Eliot, one half of Plush, took a 6 month sabbatical following the tragic passing of bandmate Chas Smit, before returning to the music scene as a solo artist.
Eliot joined up with drummer Ben Peters, a former contributor to Plush, and again shared a stage as old Plush favourites, and an increasing repertoire of new tracks saw sell-out crowds and packed venues all over Cape Town. Soon, word of Eliot’s return spread. In early 2007, bass player Louis Roux, opted in to create Rory Eliot and The Reason.
I hold out high hopes for Rory Eliot & The Reason. They’ll never quite be Plush, but neither would I want them to be. But the fact that Rory is carrying on the dream that he and Chas shared is surely a symbol of hope.
And there you go; thanks for sticking with me through that. Again, of course there are plenty of other artists who could feature here, so please don’t flame me!
But if you want to spread the word about YOUR favourite South African band, then drop me a line, or leave me a comment, and make yourself heard!
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56. Cat Power – You Are Free (2003)
55. Basia Bulat – Oh, My Darling (2007)
54. John Mayer – Continuum (2008)
53. Damien Rice – O (2003)
52. Nizlopi – Half These Songs Are About You (2004)
51. Explosions in the Sky – The Earth is not a Cold Dead Place (2003)
50. Phoenix – Alphabetical (2004)
49. The Damnwells – Bastards of the Beat (2003) 
48. Yeasayer – All Hour Cymbals (2007) 
47. Athlete – Vehicles and Animals (2003) 
46. Imogen Heap – Speak for yourself (2005) 
45. Joseph Arthur – Come to where I’m from (2000) 
44. The Killers – Sam’s Town (2006) 
43. Oasis – Heathen Chemistry (2002) 
42. Ben Folds – Rockin’ the Suburbs (2001) 
41. Flogging Molly – Drunken Lullabies (2002) 
40. Death Cab for Cutie – Plans (2005) 
39. Joe Pug – Nation of Heat EP (2008)
38. Band of Horses – Cease to Begin (2007) 
37. Tegan & Sara – The Con (2007) 
36. Flobots – Fight with tools (2008) 
35. Myslovitz – Korova Milky Bar (2003) 
34. The Postal Service – Give Up (2003) 
33. Perez – Picture Perfect (2002) 
32. City and Colour – Bring Me Your Love (2008) 
31. Razorlight – Up all Night (2004) 
30. Markéta Irglová and Glen Hansard – Once OST (2007) 
29. Bright Eyes – I’m Wide Awake, It’s Morning (2005) 
28. Jason Mraz – Mr A – Z (2005) 
27. Josh Ritter – Animal Years (2006) 
26. Josh Ritter – The historical conquests of Josh Ritter (2007) 
25. Nada Surf – Let Go (2002) 
24. The Streets – A Grand Don’t Come for Free (2004) 
23. Radiohead – In Rainbows (2007) 
22. Ryan Adams – Demolition (2002) 
21. Dispatch – Silent Steeples (2000) 
20. The Mountain Goats – The Sunset Tree (2005) 
19. Andrew Bird – The Mysterious Production of Eggs (2005) 
18. Frightened Rabbit – The Midnight Organ Fight (2008) 
17. The Gaslight Anthem – The ’59 Sound (2008) 
16. Howie Day – Australia (2000) 
15. Jack Johnson – Brushfire Fairytales (2001) 
14. Ryan Adams – Love Is Hell (2004) 
13. Plush – All That is Should Be (2004) 
12. Matthew Ryan – Matthew Ryan Vs. Silver State (2008) 
11. Outkast – Stankonia (2000) 
10. Pete Francis – Untold (2003) 
9. Coldplay – Parachutes (2000) 
8. Ben Harper & The Innocent Criminals – Live from Mars (2001) 
7. Third Eye Blind – Out of the Vein (2003) 
6. The Weakerthans – Reconstruction Site (2003) 
5. The National – Alligator (2005) 
4. Bon Iver – For Emma, Forever Ago (2007) 
3. Ryan Adams & The Cardinals – Easy Tiger (2007) 
2. Antony and The Johnsons – I Am a Bird Now (2005) 
1. Ryan Adams – Heartbreaker (2000) 
